Perisphere https://validator.w3.org/feed/docs/rss2.html Thief: That One Last Job and the American Dream Mindhunters, Maneaters, & Maniacs: The Seismic Impact of Manhunter Contributors and Editors A City Without Community: The Lack of Neighborliness in Rear Window These Are the People in Your Neighborhood: Rear Window and Community as Worldbuilding They Live in the Twin Cities Now THAT’S What I Call a “Cell Phone:” Brian Cox’s Hannibal Lecktor How Hitchcock Changed Horror: Psycho at Sixty-Six The Transformative Power of Girl on Top: Death, Sex, and Agency in The Terminator Human Enough Toward a Cinema of Noise: Demonlover (2002) “I’m Mad As Hell!”Network And The Profits Of Rage Shark Cents: Deep Blue Sea’s Place in the Value of Warner Bros. Discovery A Lengthy and Mundane Explanation of the Fashion Hierarchy of Men in Brazil’s Well-Oiled Government Machine and Absolutely, Positively, 100% Nothing Else Shout Out to Ellen Ripley: How Regular Heroes Inspire Us in Our Darkest Times The Badlands of Downtown LA On the Road to Matewan The Tragedies Play Well: Akira Kurosawa’s Three-Time Love Affair with Shakespeare About “That Means You Don’t Talk”: Michael Mann’s The Insider I am the One and Only: Moon and the Advent of Loneliness  Michael Clayton and Tony Gilroy’s American Conscience The Art of the Reference in Who Framed Roger Rabbit CARTOONS! CHAOS! CLASSIC ROCK! How HEAVY METAL Almost Became What I Wanted—and Why That Almost Matters Robert Mitchum and Jane Greer Could Make Anything Interesting My Short Bestselling Memoir about the Japanese Animated Film Vampire Hunter D The Gap in Lauren Hutton’s Teeth Folsom Prison Plays Itself Son of The White Mare: Formalistic Creativity Bursting Through Repression When The Wind Blows and How Nostalgia Lies to Us Loc-Nar Never Stood a Chance Toonami Days: How Anime Like Vampire Hunter D Saved a Small Town Kid American Gigolo: A Film Noir with 1980s Sheen?  First as Tragedy, Then as Tragedy The Burnt-Out Artist and the Truth: Federico Fellini’s 8 ½ When in Rome: La Dolce Vita and Life’s Imitation of Art Giorgio Moroder: A Syllabus Okinawa, Baby: Exploration, Exes, & Extreme Private Eros Collectivization, Creation, and Composition: Scoring Oleksandr Dovzhenko’s Earth Gone with the Wind Rider: Shintoism in Hayao Miyazaki’s Nausicaä of the Valley of the Wind Don’t Stomp On Bugs We’re All Buddies Here It’s got Sam Elliott in it. The Shocking Direct Cinema of The Emperor’s Naked Army Marches On The Sun Rises and Sets with Heat “The Way The Whole Darned Human Solidarity Keeps Perpetuating Itself” One Flew Over The Cuckoo’s Nest, Intentional Distancing, Accidental Empathy, & Rebellion as A Way To Pass The Time Everyone Is Ridiculous and Everyone Is Beautiful: The Absurdist Humanism of Miloš Forman’s Taking Off Yippee-Ki-Yay Father Christmas He Knows When You’re Awake: (Re)Visiting the History of Santas in Horror Of Late Nights and High Detail: Michael Mann’s Heat (1995)