|Phil Kolas| A teenager’s disembodied floating head leaps out of a well and bites another teenager directly on her buttocks, with the camera holding for at least three full seconds on the whole framed image, like it was appreciating a work of art...

|Benjamin Jarman| My mom doesn’t like horror movies much, but she is open-minded enough to sit down and watch Sam Raimi’s The Evil Dead with her son. I wasn’t expecting her to become the newest fan of the franchise, but I was interested in what could keep someone from thinking positively about the horror genre. One of the clearest memories...

|Andrew Neill| When I was 22, I wanted to be Samuel Marshall Raimi. You probably know him as Sam Raimi, director of The Evil Dead. I was a young, eager kid just out of film school, and he was my hero. His story seemed so close to my own, so attainable. In the fall of 1979, he and his buds Rob Tapert and Bruce Campbell wrangled up a small cast and a skeleton crew, descended upon...

|MH Rowe| In the pantheon of suspected or perhaps nonexistent genres of film, one of my favorites is the foreign film that has the copy-pasted soul of a Hollywood blockbuster but feels strangely fresh and new. Such films relieve me of the burden of familiar movie stars. They relieve me temporarily of the peculiarities...

|Andrea Buiser| Lino Brocka was born in the province of Sorsogon in 1939, in what was then an unincorporated territory and commonwealth of the United States that existed from 1935 to 1946. Growing up in a setting that shaped his understanding of social inequality, Brocka’s early life...

|Chris Polley| For many who have endured a ninth grade and/or AP literature class, Shakespeare brings to mind big emotions and melodramatic ideas: forbidden romance, corrupt monarchs, or mistaken identity. An underrated aspect of a good chunk of his work, however, is its exploration of the horrors of the great beyond...

|Penny Folger| “Your movie is like the Jaws of Airbnbs,” jokes Korey Coleman, host of the Double Toasted podcast to writer/ director Zach Cregger for whom Barbarian, in 2022, was his solo feature debut. For those who don’t remember the cultural impact of that record-breaking 1975...

|Jay Ditzer| Half the fun (well, maybe a quarter of the fun) of going to the movies is the trailers shown before the main event. Do I want to see—or avoid—a new release? Well-made trailers are almost like tiny little movies themselves, and indeed, there’s an art to making a good trailer. The first rule of good trailers is ...

|Chris Ryba-Tures| When my parents first met, my dad was a Jesuit priest and my mom was studying to be a Catholic nun. While I may have started life as a “Child of the Cloth” I’ve since become an outsider to the Catholic Church. Still, I’m Culturally Catholic (which my wife insists is “not a thing”). ...

|Chris Polley| I was lucky enough to see David Robert Mitchell’s It Follows in the theater when it was originally released a little under 10 years ago today. At a movie theater that no longer exists, playing hooky from work after lunch but before daycare closed, I was already a bit anxious, being a goody two-shoes...

|Brogan Earney| There’s a lot to admire about The Searchers; the beautiful landscapes, the exhilarating action scenes, the complex characters. It’s all enough to have this film continuously mentioned as one of the greatest ever made, as it should be. The first time I saw the film was just...

|Allison Vincent| Like so many, when I first saw It Follows, I found it smart, scary, fresh, dreadful, and fascinating. Part of what initially grabbed my attention was the oft-discussed dream logic of the film. Watching it feels like the same relentless, hyper-focused dreams...

|Doug Carmody| Bong Joon-ho’s The Host opens to scenes of tension and tragedy. First, in a politically overt sequence, an American doctor forces a Korean doctor to dump formaldehyde...

|Courtney Kowalke| We, the makers of this film, wish to pay tribute to those French railway men, living and dead, whose magnificent spirit and whose courage inspired this story. So opens John Frankenheimer’s nail-biter action film The Train (1964). Viewers don’t have to...

|J.R. Jones| Last spring the New Republic published a theme issue titled “American Fascism: What It Would Look Like,” with a cover image of Der Donald staring bullets at the reader in closely-cropped hair and a Fuhrer mustache. Eight different stories examine how a second Trump presidency...

|Bob Aulert| In 1966, Rock Hudson had been a movie star since the early 1950s—by his mere presence, he could generate the financial support to get a movie made AND then get people to buy tickets to see it. John Frankenheimer had parlayed solid network TV jobs like Playhouse 90...

|Matt Lambert| In 2013, I was taking my first-ever film studies course. It was a course on Melodramas and our introductory film was the Douglas Sirk, 1956 classic (and a mainstay on my Letterbox Top Four) Written on the Wind. Rock Hudson plays a working-class, intellectual who works for...

|John Moret| The samurai film is, in essence, a very conservative genre in the same realm as the western or horror film. Before you freak out, I don’t mean conservative in terms of politics (though, really…) but in form. The conventional film would witness a ronin finding his honor after losing his way...

|Matthew Christensen| If you are a Gen-Xer like me, your first introduction to Dame Angela Lansbury was probably not through her phenomenal stage career, nor her remarkable film appearances. No, your first introduction to Lansbury was through her work as the pragmatic, somewhere...

|Ryan Sanderson| I didn’t fall for Scorsese initially, the same way I did for his contemporaries. Raging Bull left me cold. I hated the characters in Goodfellas too much to really latch on. Make no mistake—I encountered plenty of toxic masculinity in adolescence, just a brand that disguised...

|MH Rowe| Nathaniel West’s The Day of the Locust (1939), which like Joan Didion’s Play It as It Lays (1970) is a classically bleak “Hollywood novel,” ends as Didion’s later story never could: with a riot. No one could riot in Play It as It Lays. Although it is set in the unruly 1960s the violence of...

|Sophie Durbin| The unexpected thread that I chased for Play It As It Lays was a comment a family friend made when she saw me doing my due diligence by reading Joan Didion’s novel of the same name. “Oh, that’s a good book,” she said...

|Sophie Durbin| Let me set a scene for you. In a quaint little town in mid-century America, an emotionally stunted man with a suspicious past becomes fixated on a lovely young girl. In an attempt to incorporate her into an insidious plot, he whisks her away, lying about his identity and his intentions...

|Hannah Baxter| 1917 (2019) was not the first project on which director Sam Mendes collaborated with cinematographer Roger Deakins.1 It’s not even the first war story they made together: that would be Jarhead (2005), a film that makes an interesting counterpoint to 1917. The latter film...