The Depths of Withnail and I: A Dark-Comedy Coping Mechanism for Poverty and Outgrowing a Friendship

|Dan Howard| When Bruce Robinson was living as a struggling artist in London, he drew inspiration directly from his own less-than-glamourous lifestyle for his first novel, and eventually first film. If an artist doesn’t come from money, it can be very difficult to climb their way out of poverty… Continue reading

The Last Detail, the Weight of Time

|Ryan Sanderson| The Last Detail is a film of contrasts. It’s a film about everything, in which almost nothing happens—a beautiful, very funny work of art composed of some of the ugliest, most depressing imagery you’ll ever see in a major studio film. It’s an improvisational-feeling actor’s showcase… Continue reading

The Triangle of Discontent in The Last Detail

|Jackson Stern| We like to imagine that, when faced with prospects of injustice, repression, and hypocrisy from those in the highest of towers, we’d stand tall and together. We’d overthrow our oppressors by bashing them or, better yet, outsmarting them at their own cruel game… Continue reading

For Fear of Retribution: All Through the Night

|John Costello| Although All Through the Night is primarily a comedy about small-time New York racketeers who become entangled in a spy ring working for the Nazi regime, the slapstick characters take moral positions for community, empathy, and democracy. The movie gives insights… Continue reading

They Shoot Hamsters, Don’t They

|MH Rowe| If you’re going to do something really stupid, it’s not a bad idea to be beautiful. Maybe that’s how Val Kilmer ended up in Top Secret! (1984), which is both his film debut and a spoof of spy stories, resistance thrillers, and, for some reason, Elvis Presley. Top Secret!… Continue reading

Satire, Subversion and Nazis: To Be or Not to Be 

|Penny Folger| Hitler stands in a town square in Poland while dumbfounded townspeople encircle him, looking as though they’re witnessing a talking polar bear, or perhaps something much more absurd and dangerous. A small girl in the crowd suddenly pipes up, “May I have… Continue reading

A Labor of Love: Mel Brooks’s Young Frankenstein 

|Allison Vincent| As a kid growing up at the tail end of the 80s through the 90s with access to cable and an unrestricted library card, it was pretty easy to consume the media I wanted without too much interruption from my parents. My dad was lax, to say the least, when it came to… Continue reading

This Woman’s Work: A New Leaf, Elaine May, and Editing Versus Meddling

|Courtney Kowalke| Elaine May probably wishes I wasn’t writing this piece. While May adapted, directed, and starred in her 1971 directorial debut, A New Leaf, she was less than pleased with the finished product. Against May’s wishes, her film was edited by Academy Award-winning editors Don… Continue reading

So Frond of You: The Redemption of a Latent Nerd in A New Leaf

|Terry Serres| Elaine May’s first feature film, A New Leaf, is a production rich in lore. It was based on a short story, “The Green Heart,” written by Jack Ritchie and first appearing in the March 1963 issue of Alfred Hitchcock’s Mystery Magazine. The story involves the well-heeled Henry… Continue reading

There’s No Lying In That Beef: Breaking Down The Singularly Unflinching Satire of The Heartbreak Kid

|Vincent Cheng| CONTEXT What creates the sensation of personal discomfort when watching comedies, and what is the value of that discomfort? To answer these questions, I’d like you to first close your eyes and imagine something funny. Undoubtedly you pictured, as I did… Continue reading

The Shift from Straight to Queer – To Wong Foo, Thanks for Everything! Julie Newmar 

|Nicole Rojas-Oltmanns| Even though Wesley Snipes, John Leguizamo, and Patrick Swayze are all cishet men playing gay drag queens, I actually love To Wong Foo (1995, directed by Beeban Kidron). The drag is really fantastically done. Also, there is small-town drama, RuPaul… Continue reading

The Architecture of Family: An Autumn Afternoon and The Royal Tenenbaums

|Andrew Neill| Let’s get a potentially uncool but nonetheless true thing about me out of the way right now: I am a huge fan of the American film director Wesley Wales Anderson. You probably know him as Wes Anderson. He’s one of my favorite directors—gotta be in the top three… Continue reading

TraditionVision: Ozu’s Exploration of the Multi-Generational Adjustment to TV

|Dan Howard| In this day in age, television is just as common and almost essential to our daily lives as food or nature. Sometimes, it feels like it’s just always been around, but in fact, the first concept of what would ultimately become television, Facsimile Transmissions, was introduced… Continue reading

The Assassination of the Teen Comedy

|Brogan Earney| By the early 2000s, the teen comedy genre was at the height of its powers. Movies like She’s All That, 10 Things I Hate About You, Clueless and many more, were pumped out monthly and guaranteed to bring box office success. Eventually, they became… Continue reading

A Youthquake for Yakuza: Coming of Age in Sailor Suit and Machine Gun

Pulp-style Illustration of characters from the film, Izumi, Makoto, and Fatso, along with the title in Japanese, bold yellow font.

|Jake Rudegeair| “Coming of age” always struck me as a flat phrase for something so bumpy, so relentless. It doesn’t really illustrate that slow erosion of our bodies and souls as we’re worn down by the slings and arrows of experience, cruelly and carelessly reformed over and over… Continue reading

The Thin Veil Between Comedy and Horror in Coward’s Blithe Spirit (1945)

|Allison Vincent| A foundational memory of mine is sitting in Dr. Doug Julien’s “Comedy Text and Theory” course at the University of Minnesota and realizing the slender thin line that separates a scream from a laugh. Dr. Doug, as he liked to be addressed, told the class he was… Continue reading

The Museum of Home Video’s Ring, Ring: a Doorbell Cam Fantasia is Coming to Town! Some Context on Bret Berg’s MOHV from a Fellow Los Angeleno Who Witnessed its Inception

A blurry black and white image by a door camera, showing a person dressed as a scary clown, holding three balloons, standing in someone's doorway, facing the camera.

|Penny Folger| The Museum of Home Video is an online streaming show that took flight during the pandemic and seems to have created an empire. Started by Los Angeleno film programmer/distributor Brett Berg, it takes place at museumofhomevideo.com at 7:30 pm PST most Tuesday evenings. Since its inception in July… Continue reading

I Want All the Bisexuals To Know: If I Can Edit a Film Blog, You Can Too

Karen, Miss New York, a Black Latina woman in a red evening gown, is shouting in front of the crowd. To her right, five women in dazzling evening gowns are watching her in awe.

|Finn Odum| Several weeks ago, in the monotonous gray cubes of the Mall of America® office tower, I dared to make a joke about my gender identity. This is how it went:
Finn, 24, strikingly gorgeous and wickedly funny email specialist: Now, I’m not like most women—in that I’m not one… Continue reading

Taking Silly Seriously: The 90s Niche of Jean-Claude Van Damme in Sheldon Lettich’s Double Impact

A close-up of Jean-Claude Van Damme as Alex, scruffy and serious with a toothpick in his mouth against a blurred background.

|Chris Polley| Nine years ago, as is the American way, a viral car commercial brought us all together. Advertising Volvo’s state-of-the-art dynamic steering, it showed a chiseled man in his 50s atop two large trucks, his stance wide and firm, with one foot planted on each of the behemoths’… Continue reading