Satire, Subversion and Nazis: To Be or Not to Be 

|Penny Folger| Hitler stands in a town square in Poland while dumbfounded townspeople encircle him, looking as though they’re witnessing a talking polar bear, or perhaps something much more absurd and dangerous. A small girl in the crowd suddenly pipes up, “May I have… Continue reading

A Labor of Love: Mel Brooks’s Young Frankenstein 

|Allison Vincent| As a kid growing up at the tail end of the 80s through the 90s with access to cable and an unrestricted library card, it was pretty easy to consume the media I wanted without too much interruption from my parents. My dad was lax, to say the least, when it came to… Continue reading

This Woman’s Work: A New Leaf, Elaine May, and Editing Versus Meddling

|Courtney Kowalke| Elaine May probably wishes I wasn’t writing this piece. While May adapted, directed, and starred in her 1971 directorial debut, A New Leaf, she was less than pleased with the finished product. Against May’s wishes, her film was edited by Academy Award-winning editors Don… Continue reading

So Frond of You: The Redemption of a Latent Nerd in A New Leaf

|Terry Serres| Elaine May’s first feature film, A New Leaf, is a production rich in lore. It was based on a short story, “The Green Heart,” written by Jack Ritchie and first appearing in the March 1963 issue of Alfred Hitchcock’s Mystery Magazine. The story involves the well-heeled Henry… Continue reading

There’s No Lying In That Beef: Breaking Down The Singularly Unflinching Satire of The Heartbreak Kid

|Vincent Cheng| CONTEXT What creates the sensation of personal discomfort when watching comedies, and what is the value of that discomfort? To answer these questions, I’d like you to first close your eyes and imagine something funny. Undoubtedly you pictured, as I did… Continue reading

The Shift from Straight to Queer – To Wong Foo, Thanks for Everything! Julie Newmar 

|Nicole Rojas-Oltmanns| Even though Wesley Snipes, John Leguizamo, and Patrick Swayze are all cishet men playing gay drag queens, I actually love To Wong Foo (1995, directed by Beeban Kidron). The drag is really fantastically done. Also, there is small-town drama, RuPaul… Continue reading

The Architecture of Family: An Autumn Afternoon and The Royal Tenenbaums

|Andrew Neill| Let’s get a potentially uncool but nonetheless true thing about me out of the way right now: I am a huge fan of the American film director Wesley Wales Anderson. You probably know him as Wes Anderson. He’s one of my favorite directors—gotta be in the top three… Continue reading

TraditionVision: Ozu’s Exploration of the Multi-Generational Adjustment to TV

|Dan Howard| In this day in age, television is just as common and almost essential to our daily lives as food or nature. Sometimes, it feels like it’s just always been around, but in fact, the first concept of what would ultimately become television, Facsimile Transmissions, was introduced… Continue reading

The Assassination of the Teen Comedy

|Brogan Earney| By the early 2000s, the teen comedy genre was at the height of its powers. Movies like She’s All That, 10 Things I Hate About You, Clueless and many more, were pumped out monthly and guaranteed to bring box office success. Eventually, they became… Continue reading