The Last Detail, the Weight of Time

|Ryan Sanderson| The Last Detail is a film of contrasts. It’s a film about everything, in which almost nothing happens—a beautiful, very funny work of art composed of some of the ugliest, most depressing imagery you’ll ever see in a major studio film. It’s an improvisational-feeling actor’s showcase… Continue reading

The Triangle of Discontent in The Last Detail

|Jackson Stern| We like to imagine that, when faced with prospects of injustice, repression, and hypocrisy from those in the highest of towers, we’d stand tall and together. We’d overthrow our oppressors by bashing them or, better yet, outsmarting them at their own cruel game… Continue reading

For Fear of Retribution: All Through the Night

|John Costello| Although All Through the Night is primarily a comedy about small-time New York racketeers who become entangled in a spy ring working for the Nazi regime, the slapstick characters take moral positions for community, empathy, and democracy. The movie gives insights… Continue reading

They Shoot Hamsters, Don’t They

|MH Rowe| If you’re going to do something really stupid, it’s not a bad idea to be beautiful. Maybe that’s how Val Kilmer ended up in Top Secret! (1984), which is both his film debut and a spoof of spy stories, resistance thrillers, and, for some reason, Elvis Presley. Top Secret!… Continue reading

Satire, Subversion and Nazis: To Be or Not to Be 

|Penny Folger| Hitler stands in a town square in Poland while dumbfounded townspeople encircle him, looking as though they’re witnessing a talking polar bear, or perhaps something much more absurd and dangerous. A small girl in the crowd suddenly pipes up, “May I have… Continue reading

A Labor of Love: Mel Brooks’s Young Frankenstein 

|Allison Vincent| As a kid growing up at the tail end of the 80s through the 90s with access to cable and an unrestricted library card, it was pretty easy to consume the media I wanted without too much interruption from my parents. My dad was lax, to say the least, when it came to… Continue reading

This Woman’s Work: A New Leaf, Elaine May, and Editing Versus Meddling

|Courtney Kowalke| Elaine May probably wishes I wasn’t writing this piece. While May adapted, directed, and starred in her 1971 directorial debut, A New Leaf, she was less than pleased with the finished product. Against May’s wishes, her film was edited by Academy Award-winning editors Don… Continue reading

So Frond of You: The Redemption of a Latent Nerd in A New Leaf

|Terry Serres| Elaine May’s first feature film, A New Leaf, is a production rich in lore. It was based on a short story, “The Green Heart,” written by Jack Ritchie and first appearing in the March 1963 issue of Alfred Hitchcock’s Mystery Magazine. The story involves the well-heeled Henry… Continue reading

There’s No Lying In That Beef: Breaking Down The Singularly Unflinching Satire of The Heartbreak Kid

|Vincent Cheng| CONTEXT What creates the sensation of personal discomfort when watching comedies, and what is the value of that discomfort? To answer these questions, I’d like you to first close your eyes and imagine something funny. Undoubtedly you pictured, as I did… Continue reading

The Shift from Straight to Queer – To Wong Foo, Thanks for Everything! Julie Newmar 

|Nicole Rojas-Oltmanns| Even though Wesley Snipes, John Leguizamo, and Patrick Swayze are all cishet men playing gay drag queens, I actually love To Wong Foo (1995, directed by Beeban Kidron). The drag is really fantastically done. Also, there is small-town drama, RuPaul… Continue reading