| Jackson Stern | For all of its philosophical wonderings, questions of morality, madness, and arthouse sensibilities, there’s something very different about Ingmar Bergman’s follow-up to the monolithic Persona. Sure, it contains all of the aforementioned heft of his previous films… Continue reading
| Jake Rudegair | In your nightmare the dinner guests are ghouls (all but one of course, sweet Alma). They’re frocked up in tailcoats and ballgowns. They chat over each other, so you only catch shards here and there. “Bureaucratic vengefulness.” “Humiliation.” “The pus never… Continue reading
| Sophie Durbin | Folk ballads are precious, living traces of the past that explain how things came to be as they are, or how things once were. Buried within layers of variation and localization, the original singers’ voices remain a haunting echo. Documenting a ballad… Continue reading
| Jared Meyer | Ingmar Bergman was the first filmmaker who made me realize you can film the invisible. While first discovering my love of film and beginning my practice as a filmmaker, Bergman’s films broke open my perception of movies as entertainment, that they could be just as complex a probing… Continue reading
