“I’m Mad As Hell!”Network And The Profits Of Rage

Peter Finch as Howard Beale standing in front of a bank of clocks, sweaty and angry, his hands in the air, yelling.

|Wil McMillen| Network plays in at the Trylon Cinema from Friday, March 27th, through Sunday, March 29th. For tickets, showtimes, and other series information, visit trylon.org. My first day as a national news photographer was December 19, 1998, one of the most important and crazy days that nobody ever talks about…. Continue reading

Requiem for a Senior Vice President

|Nate Logsdon| Donald Trump sees himself in The Fountainhead. “It relates to business and beauty and life and inner emotions,”1 he explained in 2016, avowing an interest in the writings of Ayn Rand widely shared among conservatives though dubious in his own case considering his notorious… Continue reading

Live From New York: How Rod Serling’s Patterns Elevated TV Drama

|J.R. Jones| This review contains spoilers. In our modern media landscape, where TV and the movies are slowly dissolving into a giant video stream, we might not recall that 70 years ago these two media were starkly distinguished. Movies were prestigious, a serious art form, and television was… Continue reading

TV Time

|Nate Logsdon| Wim Wenders couldn’t find reality anywhere. In the Spring of 1983, he had traveled to Tokyo to mark the 20th anniversary of Yasujirō Ozu’s death. He was seeking the Japanese world that appeared so luminously in the films of that great director, whose body of work… Continue reading

TraditionVision: Ozu’s Exploration of the Multi-Generational Adjustment to TV

|Dan Howard| In this day in age, television is just as common and almost essential to our daily lives as food or nature. Sometimes, it feels like it’s just always been around, but in fact, the first concept of what would ultimately become television, Facsimile Transmissions, was introduced… Continue reading