The Thin Veil Between Comedy and Horror in Coward’s Blithe Spirit (1945)

|Allison Vincent| A foundational memory of mine is sitting in Dr. Doug Julien’s “Comedy Text and Theory” course at the University of Minnesota and realizing the slender thin line that separates a scream from a laugh. Dr. Doug, as he liked to be addressed, told the class he was… Continue reading

Unfortunate Passions: David Lean’s Brief Encounter

|Penny Folger| A central moment in David Lean’s Brief Encounter that jumps out are these words by its protagonist. “I’ve fallen in love. I’m an ordinary woman. I didn’t think such violent things could happen to ordinary people.” This little bit of narration is at once melodramatic… Continue reading

Love, Grief, and Reincarnation: The Legacy of Glazer’s Most Controversial Film

|Malcolm Cooke| The scene begins at the opera. Arriving late, Anna (Nicole Kidman) and her fiancé Joseph (Danny Huston) push their way intrusively past a dozen audience members. Once seated, the shot holds on Anna’s face for over two minutes, an image director… Continue reading

Floating in the Dark with Paddy

|Kevin Obsatz| How do you go from Network to Altered States?  According to a biography about the screenwriter of both films, Paddy Chayefsky (Mad As Hell by Paddy Considine), it sounds like life in New York in the mid-1970s was about as good as it can possibly get for… Continue reading

Which of John Goodman’s characters across his career would you be most amenable to being trapped in a bunker with at the end of the word: A definitive ranking

|Amelia Foster & Luis Lopez| If everyone has answered the desert island question as part of a misguided workplace seminar or first date gone wrong, then this John Goodman scenario can be your new barometer for whether they get a second date or you’ll be working from home… Continue reading