Pacifism Ain’t No Panacea: Vengeance and Desperation in Ryszard Bugajski’s Clearcut

|Chris Polley| Ugly injustice and righteous anger fill the frames of nearly every fantasy revenge flick, but the best of the genre go beyond the emotion. They consider their targets and punishments carefully as well as provide a convincing argument as to why pacifism… Continue reading

The Thin Veil Between Comedy and Horror in Coward’s Blithe Spirit (1945)

|Allison Vincent| A foundational memory of mine is sitting in Dr. Doug Julien’s “Comedy Text and Theory” course at the University of Minnesota and realizing the slender thin line that separates a scream from a laugh. Dr. Doug, as he liked to be addressed, told the class he was… Continue reading

Arica, mi Amor: Cine Chileno y La casa lobo

|Finn Odum| I. Gringos en Arica. The first of my three weeks in Arica, a city on the Chilean-Peruvian border, was spent in a beachside hotel. We had free breakfast in the mornings, a pool overlooking the ocean, and most importantly, a bar just a five-minute walk away. Many of us were… Continue reading

When I’m Bad, I’m Better: Legend and Tim Curry’s Legacy of Villainy

|Courtney Kowalke| What is the first movie you remember seeing Tim Curry in? It is a question of when you first saw him in something, not if you have ever seen him in something. The British actor has been an inescapable presence on the silver screen since 1975. Incidentally, Continue reading

The Museum of Home Video’s Ring, Ring: a Doorbell Cam Fantasia is Coming to Town! Some Context on Bret Berg’s MOHV from a Fellow Los Angeleno Who Witnessed its Inception

A blurry black and white image by a door camera, showing a person dressed as a scary clown, holding three balloons, standing in someone's doorway, facing the camera.

|Penny Folger| The Museum of Home Video is an online streaming show that took flight during the pandemic and seems to have created an empire. Started by Los Angeleno film programmer/distributor Brett Berg, it takes place at museumofhomevideo.com at 7:30 pm PST most Tuesday evenings. Since its inception in July… Continue reading

A Farewell to Horses

An extreme closeup of the face of Buffalo Bill (played by Ted Levine), focused on his eye as he applies makeup to his eyebrow. Just to the side of the frame, the flaking edges of a woman's scalp that he's wearing are visible.

|Natalie Marlin| Hearing it solely on its own terms, “Goodbye Horses” is an achingly beautiful song. Q Lazzarus’ voice quavers but never loses its assuredness. She makes the most of her low resonance, embracing her voice’s androgynous qualities. William Garvey’s gorgeously cryptic lyricism is just as crucial to the song’s mystique… Continue reading