The Apocalyptic Subjectivity of Come and See

Boy leaning against dead cow in foggy field.

|Jackson Stern| To call a film totally immersive is to imply that there isn’t almost always some sort of invisible barrier between the viewer and the images projected on the screen. Something happens in the space between the light’s reflection and the eyes of its observer that dilutes perception to the point where even the most painfully… Continue reading

Dialectical Materialism and Proletarian Internationalism: ‘I Am Cuba’

|Jasper Nordin| On July 26, 1953, the Cuban Revolution began. Fidel Castro, leading a force of 136 men, attacked the Moncada military barracks in the capital city of Havana. The goal of this attack was to instigate a wider revolt against the dictatorship of Fulgencio Batista, and to… Continue reading