Casablanca in Casablanca

|MH Rowe| Things are not quite as you remember in Casablanca. Consider before anything else the film’s hellish yet also somewhat corny setting. Here we have the city of Casablanca on the coast of Morrocco only days before Pearl Harbor, December 1941. None of the film’s characters know the fateful Japanese Continue reading

Putting the ‘Motion’ in ‘Motion Picture’: Key GIFs from Lawrence Dane’s Heavenly Bodies

|Chris Polley| When I found out that no one had claimed to write something for the Trylon’s upcoming screening of 1984 Canuxploitation dance-ercise flick Heavenly Bodies, I felt like Charlie getting the golden ticket to the chocolate factory. What did I do to deserve this? I’d thank… Continue reading

Watching the The Rocketeer with My Inner Child in Superhero Interzone 1991

|Chris Ryba-Tures| As I grimly plod into my forties, movie nostalgia has…not so much become a heady escapist drug, so much as an increasingly out-of-body point of fascination. Obviously, because childhood is generally just so easy to wax nostalgic about, but moreover because the… Continue reading

The Rocketeer

|Bob Aulert| Up in the air, Junior Birdman The Rocketeer (1991) blends nostalgia, adventure, romance, and patriotism into a classic superhero narrative. Set in the golden age of aviation during the late 1930s, it’s an adaptation of Dave Stevens’s comic book series of the same name… Continue reading

The Ecstatic Truth of Werner Herzog’s Short Documentaries

|Malcolm Cooke| Werner Herzog has one thing to say to the proponents of Cinéma Vérité: “‘Happy New Year, losers.’”1 Herzog has always had beef with the idea of documentary as from the perspective of a fly on the wall, a genre of detached and objective reporting of facts. “That… Continue reading

Werner Herzog, Dziga Vertov, and the Search for Truth

|Dan McCabe| In 1999, acclaimed German filmmaker Werner Herzog came to the Walker Art Center for an on-stage interview with the late film critic Roger Ebert. During the interview, Herzog made his “Minnesota Declaration”—a twelve-point denunciation of Cinema Verité, a style of documentary… Continue reading

Broadsword Calling Danny Boy: Reflections on a Childhood Favorite

|Reid Lemker| What was the first “adult” movie you saw as a kid? For me, the first movie that comes to mind is Where Eagles Dare. I was probably ten or eleven when my dad first showed it to me, and it quickly became a favorite of ours to watch on… Continue reading

A Clash of Kings: Eastwood and Burton in Where Eagles Dare

|Devin Bee| Where Eagles Dare is a film of clashes. The story sounds simple enough: during World War II, an American general is held captive by Nazis in a Bavarian castle. An elite squad of Allied soldiers—six British and one American—are tasked with infiltrating the castle and saving the… Continue reading

Merrily We Go to Hell’s Dorothy Arzner, the Only Female Director in 1930s Hollywood

|Ed Dykhuizen| Female directors were commonplace, even at times dominant, in early film history. Alice Guy-Blaché directed more than 450 short films starting in 1896. Many scholars credit her with the first movie that had a narrative. In these earliest years, small companies… Continue reading

Merrily We Go To Hell: “The Holy State Of Matrimony,” Pre-Code Style

|Lucille Hanson| (The following contains spoilers for Merrily We Go To Hell.) Before writing this for Perisphere, I had seen Merrily only once before: a couple years ago, during a rare day where I watched numerous movies back to back (I cannot believe that I bookended this with Saw VI and Bamboozled.). I ended up leaving… Continue reading