Chess Moves, Rice Bowls, and Full Throttle Vengeance

|Matt Clark| During the 1970s peak of kung fu film popularity, films from the Shaw Brothers’ legendary studio were known for lavish sets, period detail, and often outrageous kung fu styles. Rival studio, Golden Harvest, was primarily known for promoting international sensation… Continue reading

Interview: A Grandmother on Shaolin vs Lama

|Ben Jarman| Here is a new take from my mom on the film Shaolin vs Lama. The goal here again is to introduce her to genres she is not interested in and gather her thoughts. She is a movie “buff”, but she doesn’t venture much into genre films. Martial arts movies are definitely not her thing. She can handle a horror movie… Continue reading

The Last Detail, the Weight of Time

|Ryan Sanderson| The Last Detail is a film of contrasts. It’s a film about everything, in which almost nothing happens—a beautiful, very funny work of art composed of some of the ugliest, most depressing imagery you’ll ever see in a major studio film. It’s an improvisational-feeling actor’s showcase… Continue reading

The Triangle of Discontent in The Last Detail

|Jackson Stern| We like to imagine that, when faced with prospects of injustice, repression, and hypocrisy from those in the highest of towers, we’d stand tall and together. We’d overthrow our oppressors by bashing them or, better yet, outsmarting them at their own cruel game… Continue reading

Book Clubs and Pigeon Coops: A Hit-Man’s Guide to Empathy

|Noah Frazier| The beginnings and ends of movies often function as microcosms of the whole, enclosing the film’s central ideas within a few shots. Ghost Dog: Way of the Samurai opens on a silhouette of a pigeon flying across a dark blue sky. After softly mumbling through the background… Continue reading

“Long Nights, Impossible Odds, Keeping My Back To the Wall”

|Lucas Hardwick| **Mild spoilers ahead*** My career as a writer is successful only in the sense that I get to do it; my work is published here and there, and maybe a few hundred people read it, chuckle, and manage to get something out of it—some of it right here on this very blog. But… Continue reading

Blue Collar: A Rare, Authentic Working-Class Drama

|Ed Dykhuizen| Traditionally, if you’re a character in a Hollywood movie, you have to be rich. You don’t always have to be obscenely wealthy, but you must have enough money to never worry about how you’re going to pay for whatever the plot demands you have. Even if you’re in Los… Continue reading

Floating in the Dark with Paddy

|Kevin Obsatz| How do you go from Network to Altered States?  According to a biography about the screenwriter of both films, Paddy Chayefsky (Mad As Hell by Paddy Considine), it sounds like life in New York in the mid-1970s was about as good as it can possibly get for… Continue reading