Kenji Misumi: Both Lone Wolf and the Cub

|John Moret| The samurai film is, in essence, a very conservative genre in the same realm as the western or horror film. Before you freak out, I don’t mean conservative in terms of politics (though, really…) but in form. The conventional film would witness a ronin finding his honor after losing his way… Continue reading

Gosha Channels Kurosawa: Three Outlaw Samurai

Shot of the three samurai walking into the distance down a dirt road

|Dan Howard| Looking at the history of cinema, I gravitate the most toward the works produced in the golden age of Japanese cinema during the ‘50s and ‘60s. Although I’m not overly fond of Westerns, a lot of samurai films have been heavily influenced by them. Even Akira Kurosawa took… Continue reading

Programmer’s Notes on Hideo Gosha, Wandering Ronin

The image is black and white. A man lays back against a wooden wall and is holding a sword in front of him. Reflected in the sword is the face of a woman.

|John Moret| Ronin, noun, historical (in feudal Japan): a wandering samurai who had no lord or master.

On a wintry day in 2012, a friend and I met for our weekly movie and lunch meetup. It was his choice that week and he brought a new release from the Criterion Collection, Three Outlaw Continue reading