Putting the ‘Motion’ in ‘Motion Picture’: Key GIFs from Lawrence Dane’s Heavenly Bodies

|Chris Polley| When I found out that no one had claimed to write something for the Trylon’s upcoming screening of 1984 Canuxploitation dance-ercise flick Heavenly Bodies, I felt like Charlie getting the golden ticket to the chocolate factory. What did I do to deserve this? I’d thank… Continue reading

The Ecstatic Truth of Werner Herzog’s Short Documentaries

|Malcolm Cooke| Werner Herzog has one thing to say to the proponents of Cinéma Vérité: “‘Happy New Year, losers.’”1 Herzog has always had beef with the idea of documentary as from the perspective of a fly on the wall, a genre of detached and objective reporting of facts. “That… Continue reading

Werner Herzog, Dziga Vertov, and the Search for Truth

|Dan McCabe| In 1999, acclaimed German filmmaker Werner Herzog came to the Walker Art Center for an on-stage interview with the late film critic Roger Ebert. During the interview, Herzog made his “Minnesota Declaration”—a twelve-point denunciation of Cinema Verité, a style of documentary… Continue reading

Merrily We Go to Hell’s Dorothy Arzner, the Only Female Director in 1930s Hollywood

|Ed Dykhuizen| Female directors were commonplace, even at times dominant, in early film history. Alice Guy-Blaché directed more than 450 short films starting in 1896. Many scholars credit her with the first movie that had a narrative. In these earliest years, small companies… Continue reading

Donnie Darko and the Inevitability of Teenagers

|Ryan Sanderson| When I began this process, I did not know how personal writing about Donnie Darko would feel. It was never one of my favorite films. I was introduced to the film by my freshman roommates alongside a rolling festival of late 90s/early aughts male angst… Continue reading

History’s Greatest Puzzle Room in which the Prize is Punching Nazis: Indiana Jones and the Last Crusade

|Allison Vincent| When we first started dating, my wife worked at a puzzle room in St. Paul, MN. One of the many perks of such a venture is that I got to play-test rooms occasionally. One such room was heavily influenced by a certain wizarding world created by She-Who-Must-Not-… Continue reading

The Great Dictator: What Else is There to Say?

|Brad Bellatti| For the better part of 15 years, the above image of Chaplin has bothered me. No matter how many times I watch this sequence, the finale of Charlie Chaplin’s The Great Dictator (1940) shakes me up. I’ve tried many times to find the right words to express this sentiment… Continue reading

Interview: A Grandmother on Godzilla vs. Gigan 

|Ben Jarman| My mom is back with her take on another film that would normally disinterest her: Godzilla vs. Gigan. My mom never watched Godzilla films with me when I was a kid, but she never stopped me from watching or pretending I was a giant creature in my backyard. A giant to her is… Continue reading