|Lucas Hardwick| In the hierarchy of entertainment juggling is somewhere between miming and magic outranking puppet shows but only slightly less compelling than street buskers (depending on what the busker is playing, of course). In case you’re wondering how low the bar… Continue reading
|Lucile Hanson| “How to describe Nobuhiko Obayashi’s indescribable 1977 movie House (Hausu)? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby-Doo as directed by Mario Bava?” That quote is what opens up the description on the… Continue reading
|Sophie Durbin| The Keep was a tough sell for me, a Michael Mann fan who fell in love with him through Heat and Thief—on my first watch, I was almost offended by the supernatural plot (I’m fine with the paranormal on film, but keep it out of my Michael Mann features). Of course… Continue reading
|Chris Polley| The early 70s were, in many ways, rife with watershed moments in Black history: Charles Gordone became the first Black playwright to win a Pulitzer prize, Rep. Shirley Chisolm helped form the Congressional Black Caucus, and Thomas Bradley became the first Black mayor… Continue reading
|MH Rowe| If you’re going to do something really stupid, it’s not a bad idea to be beautiful. Maybe that’s how Val Kilmer ended up in Top Secret! (1984), which is both his film debut and a spoof of spy stories, resistance thrillers, and, for some reason, Elvis Presley. Top Secret!… Continue reading
|Dylan Hawthorn| The concept of melodrama has a bad reputation. If I described my sister’s behavior during a conflict as melodramatic, I am suggesting that her reaction is over-the-top and should be dismissed. Furthermore, there’s a reason my brain jumped to citing a… Continue reading
|Chris Polley| When I found out that no one had claimed to write something for the Trylon’s upcoming screening of 1984 Canuxploitation dance-ercise flick Heavenly Bodies, I felt like Charlie getting the golden ticket to the chocolate factory. What did I do to deserve this? I’d thank… Continue reading
|Malcolm Cooke| Werner Herzog has one thing to say to the proponents of Cinéma Vérité: “‘Happy New Year, losers.’”1 Herzog has always had beef with the idea of documentary as from the perspective of a fly on the wall, a genre of detached and objective reporting of facts. “That… Continue reading
|Dan McCabe| In 1999, acclaimed German filmmaker Werner Herzog came to the Walker Art Center for an on-stage interview with the late film critic Roger Ebert. During the interview, Herzog made his “Minnesota Declaration”—a twelve-point denunciation of Cinema Verité, a style of documentary… Continue reading
|Ed Dykhuizen| Female directors were commonplace, even at times dominant, in early film history. Alice Guy-Blaché directed more than 450 short films starting in 1896. Many scholars credit her with the first movie that had a narrative. In these earliest years, small companies… Continue reading
