Miami Vice and Michael Mann’s City Vibes Films

|Ryan Sanderson| Rorschach-like light patterns on large screens. Bodies gyrating rhythmically. Some dancers truly really feel the rhythm. Others just pump their fists and play along. I’m not great at reading crowds, but the ratio of pretenders to true believers doesn’t seem great… Continue reading

Collateral’s Unintentional Influence on No-Budget Digital Cinema

|Tim Schwagel| When I eagerly popped in my copy of Collateral to prepare for this article, I had a lot of potential topics rattling around in my head. I could ramble for days about the magic of films that take place over one night, the overt themes of not letting perfection get in the… Continue reading

The Cabbie and the Hitman: How Jamie Foxx and Tom Cruise Created Memorable Characters in Michael Mann’s Collateral

|Dan McCabe| I first saw Collateral when it came out in theaters during late summer of 2004. A friend and I saw it on a whim after an evening round of golf. On the way to the multiplex, we passed a car driving at night with its lights off. The sun had set not long ago, so it’s quite possible the… Continue reading

The Sun Rises and Sets with Heat

|Natalie Marlin| Hamlet is no more a play about a prince seeking revenge than it is about any of its other threads—nationalistic aristocratic decay, melancholic humors, loss inciting psychiatric madness. Patsies cast off to certain death, mere pawns in power plays. Blood begetting more blood, until it is entirely… Continue reading

Now THAT’S What I Call a “Cell Phone:” Brian Cox’s Hannibal Lecktor

|Jay Ditzer| Will Graham: I thought you might be curious to see if you’re smarter than the person I’m looking for. Dr. Hannibal Lecktor: Then by implication, you think you’re smarter than me since you caught me. Will Graham: I know that I’m not smarter than you. Dr. Hannibal… Continue reading

Mindhunters, Maneaters, & Maniacs: The Seismic Impact of Manhunter

|Jackson Stern| “You owe me awe,” says the fictional serial killer at the darkened core of Manhunter. Lucky for him, the moviegoing public not only met his demand but put it on a pedestal. In the four decades since the film’s release, Michael Mann’s third theatrical feature has become the… Continue reading

Thief: That One Last Job and the American Dream

|Sophie Durbin| “Frank unfolds his wallet to place the letter inside. A tattered paste-up collage is there, too. He opens it. There’s a white house from a magazine. A cut-out Cadillac is glued in front. Bits and pieces of trees are drawn in with green Pentel. A small baby from a Gerber food ad… Continue reading

“That Means You Don’t Talk”: Michael Mann’s The Insider

Jeffrey Wigand (Russell Crowe) records his whistleblowing interview for 60 Minutes in Michael Mann’s The Insider (1999).

|Steve Rybin| Four years separate Michael Mann’s crime drama Heat (1995) and his next movie, The Insider (1999).  While Heat’smonumental pairing of Al Pacino and Robert De Niro is considered by many to be the highlight of the director’s career, The Insider remains the Mann film… Continue reading

Making Romania on Film: The Case of The Keep

|Sophie Durbin| The Keep was a tough sell for me, a Michael Mann fan who fell in love with him through Heat and Thief—on my first watch, I was almost offended by the supernatural plot (I’m fine with the paranormal on film, but keep it out of my Michael Mann features). Of course… Continue reading