Collateral’s Unintentional Influence on No-Budget Digital Cinema

|Tim Schwagel| When I eagerly popped in my copy of Collateral to prepare for this article, I had a lot of potential topics rattling around in my head. I could ramble for days about the magic of films that take place over one night, the overt themes of not letting perfection get in the… Continue reading

The Cabbie and the Hitman: How Jamie Foxx and Tom Cruise Created Memorable Characters in Michael Mann’s Collateral

|Dan McCabe| I first saw Collateral when it came out in theaters during late summer of 2004. A friend and I saw it on a whim after an evening round of golf. On the way to the multiplex, we passed a car driving at night with its lights off. The sun had set not long ago, so it’s quite possible the… Continue reading

2008: The year Tom Cruise played a Nazi and Hollywood changed forever

|Andrew Neill| 17 years ago, on a frigid night in January 2008, I was in a car packed with friends, speeding up I-29 from Fargo to Grand Forks to see a new release. We would have gone to see it locally, but the theater chain (Marcus) and the distributor (Paramount) were fighting. The film… Continue reading

WTF Frogs!? You know what? Sure. Why not? 

|Allison Vincent| Why Magnolia So Fully Captures the Ennui of the End of the 20th Century | I need to start this post by explicitly stating that I am a millennial. Trust me, it’s important. Technically, because I was born in 1987, I’m an “elder” millennial or geriatric millennial if you’re… Continue reading

A Stanley Kubrick Christmas: Intense Paranoia and Masquerade Orgies

Masked group at the orgy staring ominously.

|Dan Howard| There’s certainly something about the holiday season that strikes a chord with filmmakers. Whether it’s Todd Hayne’s Carol, Tim Burton’s Batman Returns, or Shane Black’s Kiss Kiss Bang Bang, any film using Christmas as the backdrop for a non-holiday story sets… Continue reading