|Dan McCabe| When I was a college student, I worked at the front desk of my dorm. The shelf beneath the window stored a few hundred VHS tapes, which residents could rent by dropping off their university ID card. One rather uneventful night, I browsed… Continue reading
|Natalie Marlin| Hamlet is no more a play about a prince seeking revenge than it is about any of its other threads—nationalistic aristocratic decay, melancholic humors, loss inciting psychiatric madness. Patsies cast off to certain death, mere pawns in power plays. Blood begetting more blood, until it is entirely… Continue reading
|Zach Staads| If you really want to make a statement, affect some real change and be an upstanding, ambitious member of the bureaucratic body that keeps the lights on*—you should know the importance of bureau fashion and the importance it plays in… Continue reading
|Ben Tuthill| Casino is the only entry in Martin Scorsese’s catalog you might confuse for self-parody. Three different voice-overs, a United Nations of ethnic slurs, so many Rolling Stones needle drops that at one point there’s a Rolling Stones song playing over another… Continue reading
|Nick Kouhi| It’s easy to label Brian De Palma’s work as an extended exercise in voyeurism. But in a career spanning over half a century, the enfant terrible of the New Hollywood has transcended charges of Hitchockian pastiche with his perspicaciously (and…. Continue reading
|Courtney Kowalke| I cannot escape the reach of Ancient Greek theater. The last piece I wrote for Perisphere was about Mai Zetterling’s The Girls and a fictional production of Aristophanes’ comedy Lysistrata. It turns out a large part of director Brian DePalma’s inspiration for… Continue reading
