Everyone Knows What to do with a Watermelon

|Nicole Rojas-Oltmanns| Unlike coconuts, mangoes, apples, cherimoyas, plantains, and pineapples, everyone knows what to do with a watermelon. Cut and enjoy. They grow in the vast majority of the world from Sweden to Japan, USA to Chile, China to Israel. Perhaps, because of this, watermelons … Continue reading

The Searchers: Beautiful to Look at, Tough to Stomach

|Brogan Earney| There’s a lot to admire about The Searchers; the beautiful landscapes, the exhilarating action scenes, the complex characters. It’s all enough to have this film continuously mentioned as one of the greatest ever made, as it should be. The first time I saw the film was just… Continue reading

Seconds: Be Careful What You Wish For

|Bob Aulert| In 1966, Rock Hudson had been a movie star since the early 1950s—by his mere presence, he could generate the financial support to get a movie made AND then get people to buy tickets to see it. John Frankenheimer had parlayed solid network TV jobs like Playhouse 90… Continue reading

A Youthquake for Yakuza: Coming of Age in Sailor Suit and Machine Gun

Pulp-style Illustration of characters from the film, Izumi, Makoto, and Fatso, along with the title in Japanese, bold yellow font.

|Jake Rudegeair| “Coming of age” always struck me as a flat phrase for something so bumpy, so relentless. It doesn’t really illustrate that slow erosion of our bodies and souls as we’re worn down by the slings and arrows of experience, cruelly and carelessly reformed over and over… Continue reading

Pacifism Ain’t No Panacea: Vengeance and Desperation in Ryszard Bugajski’s Clearcut

|Chris Polley| Ugly injustice and righteous anger fill the frames of nearly every fantasy revenge flick, but the best of the genre go beyond the emotion. They consider their targets and punishments carefully as well as provide a convincing argument as to why pacifism… Continue reading

Unfortunate Passions: David Lean’s Brief Encounter

|Penny Folger| A central moment in David Lean’s Brief Encounter that jumps out are these words by its protagonist. “I’ve fallen in love. I’m an ordinary woman. I didn’t think such violent things could happen to ordinary people.” This little bit of narration is at once melodramatic… Continue reading

Which of John Goodman’s characters across his career would you be most amenable to being trapped in a bunker with at the end of the word: A definitive ranking

|Amelia Foster & Luis Lopez| If everyone has answered the desert island question as part of a misguided workplace seminar or first date gone wrong, then this John Goodman scenario can be your new barometer for whether they get a second date or you’ll be working from home… Continue reading