For Fear of Retribution: All Through the Night

|John Costello| Although All Through the Night is primarily a comedy about small-time New York racketeers who become entangled in a spy ring working for the Nazi regime, the slapstick characters take moral positions for community, empathy, and democracy. The movie gives insights… Continue reading

Toward the Freedom of America: Casablanca 

|John Costello| Two-thirds of the way through Casablanca (1942), the action pauses in Rick’s Café Américain to dwell on three minor characters seated at one of the tables. Instead of another scene involving a pickpocket or a musical number advancing the story, the camera lingers on an elderly couple, the Leuchtags. Carl, a waiter… Continue reading

Casablanca in Casablanca

|MH Rowe| Things are not quite as you remember in Casablanca. Consider before anything else the film’s hellish yet also somewhat corny setting. Here we have the city of Casablanca on the coast of Morrocco only days before Pearl Harbor, December 1941. None of the film’s characters know the fateful Japanese Continue reading

High Sierra: The American Crime Film in Transition

|Ryan Sanderson| Rushing Towards Death was the title W.R. Burnett originally wanted for High Sierra, the book that became the movie that made Humphrey Bogart into a movie star (and, more circuitously, John Huston into a director). That first—I would argue more evocative—title came from… Continue reading