|Lucas Hardwick| ***Only the penitent man will admit to and apologize for the spoilers ahead.*** The condition of the nine-year-old boy is a defining time for a kid, let alone an entire generation from that point forward. Teetering on the precipice of adolescence, still too young to be… Continue reading
|Allison Vincent| When we first started dating, my wife worked at a puzzle room in St. Paul, MN. One of the many perks of such a venture is that I got to play-test rooms occasionally. One such room was heavily influenced by a certain wizarding world created by She-Who-Must-Not-… Continue reading
|Lucas Hardwick| The views expressed in the article regarding Doritos, flavored booze, and India Pale Ales do not reflect those of the (volunteer) staff of Trylon Cinema, Perisphere Blog, most of Portland, Austin, Louisville, Jeremy S. from Junior year 21st Century Class at Hopkins… Continue reading
|Brad Bellatti| For the better part of 15 years, the above image of Chaplin has bothered me. No matter how many times I watch this sequence, the finale of Charlie Chaplin’s The Great Dictator (1940) shakes me up. I’ve tried many times to find the right words to express this sentiment… Continue reading
|Doug Carmoody| Alfred Hitchcock’s British films trade heavily in spycraft and international intrigue, but lightly in specificity. Each of The Man Who Knew Too Much, The 39 Steps, and Sabotage feature spy rings embedded in Britain, dedicated to extracting British secrets or… Continue reading
|John Costello| I want to tell you why almost everyone turns out to be a Nazi collaborator in Ministry of Fear (1944), a wartime thriller set during the London Blitz. I want to tell you who knows they are helping the Nazis, and who acts without understanding they’re part of a larger… Continue reading
|John Costello| Despite the underlying wartime suspense and tragedy, Five Graves to Cairo (1943) gives the audience ample reason to laugh at the Nazis and their accomplices. The film deflates the legend of Nazi Field Marshal Erwin Rommel and constantly demeans… Continue reading
|MH Rowe| La casa lobo (2018, released in English as The Wolf House) is one of those films based on or inspired by fact that sends you scurrying to the internet to read aghast secret histories you never knew. In this case the history turns out to be a sickening account of… Continue reading
|Matt Lambert| Too often in criticism, there is a lens from the future looking back at the past in judgement. To be clear, I’m struggling with that urge in reviewing The Night Porter. The 1974 film directed by Liliana Cavani examines the sadomasochistic relationship… Continue reading
