NERVOUS IN THE DESERT: Elizabeth Street alienation in Martin Scorsese’s Casino 

|Ben Tuthill| Casino is the only entry in Martin Scorsese’s catalog you might confuse for self-parody. Three different voice-overs, a United Nations of ethnic slurs, so many Rolling Stones needle drops that at one point there’s a Rolling Stones song playing over another… Continue reading

Isolation and Family, Arthouse and Hollywood, The Mafia and Jesus: The Impossible Marriages in Martin Scorsese’s Filmography

|Ryan Sanderson| I didn’t fall for Scorsese initially, the same way I did for his contemporaries. Raging Bull left me cold. I hated the characters in Goodfellas too much to really latch on. Make no mistake—I encountered plenty of toxic masculinity in adolescence, just a brand that disguised… Continue reading