No Country for Old Men: Ride the High Country (1962) and The Ballad of Cable Hogue (1970)

|MH Rowe| The most important thing in a Sam Peckinpah western is the automobile. Cars are the essential metaphor, at least when it comes to his crudely grand and murderous epic The Wild Bunch (1969), but also when you consider his first classic film Ride the High CountryContinue reading