|Allison Vincent| As a kid growing up at the tail end of the 80s through the 90s with access to cable and an unrestricted library card, it was pretty easy to consume the media I wanted without too much interruption from my parents. My dad was lax, to say the least, when it came to… Continue reading
|Vincent Cheng| CONTEXT What creates the sensation of personal discomfort when watching comedies, and what is the value of that discomfort? To answer these questions, I’d like you to first close your eyes and imagine something funny. Undoubtedly you pictured, as I did… Continue reading
|Courtney Kowalke| I cannot escape the reach of Ancient Greek theater. The last piece I wrote for Perisphere was about Mai Zetterling’s The Girls and a fictional production of Aristophanes’ comedy Lysistrata. It turns out a large part of director Brian DePalma’s inspiration for… Continue reading
|Yuval Klein| The Ruling Class portrays England as a shallow, decadent, and incorrigible institution hiding behind the facade of modernization. Oscillating between a traditional narrative and a musical, the theatrical film satirizes British aristocracy and Christianity in… Continue reading
|Finn Odum| (A Series of Facts and Asides Written in Remembrance of Brandon Lee). “EDITOR’S” NOTE: We’ve received reports that this essay was hacked in an attempt to blaspheme the opinions of our very own “Fanged Finn” Odum. We at Movie Review Website… Continue reading
