|Jillian Nelson| When Rosemary’s Baby released in 1968, conflicts over women’s rights raged on as second-wave feminists battled governmental restrictions that seeped into interpersonal relations. Birth control pills had only just been made legal. New York had recently… Continue reading
|Sophie Durbin| take so much pleasure in every rewatch of Rosemary’s Baby that it often feels more like I’m visiting old friends, not watching one of the scariest films of the twentieth century. I love the pink font used in the title sequence, the New York Christmas scenes, the way… Continue reading
|Zach Staads| I’ve used this quote at the top with almost no context for where it comes from or what it means. I’m not even checking to see if the person who quoted this is correct, and that this is something Kurt Vonnegut said or wrote. I quote it to illustrate how… Continue reading
|Jackson Stern| For all of its philosophical wonderings, questions of morality, madness, and arthouse sensibilities, there’s something very different about Ingmar Bergman’s follow-up to the monolithic Persona. Sure, it contains all of the aforementioned heft of his previous films… Continue reading
|Jake Rudegair| In your nightmare the dinner guests are ghouls (all but one of course, sweet Alma). They’re frocked up in tailcoats and ballgowns. They chat over each other, so you only catch shards here and there. “Bureaucratic vengefulness.” “Humiliation.” “The pus never… Continue reading
|Phil Kolas| Pulled pork tacos were a poor choice. That was my first thought when I started this movie. After the opening flash photography montage depicting half-decomposed human bodies, leading into the zoom-out reveal of… Continue reading
|Ben Jarman| Last week I learned about the fate of the original house from The Texas Chainsaw Massacre. It appears the house was cut into several pieces in the ‘90s and transported to a town 60 miles away. The house is now a restaurant in Kingsland, TX. This revelation is… Continue reading
|Dan McCabe| Obedient tool. That phrase from the intertitles of Metropolis describes what a group of men desire in another science fiction film made decades later, The Stepford Wives (1975). In Metropolis… Continue reading
| Wil McMillen | Dead of Night aka. Deathdream plays at the Trylon Cinema Wednesday, September 24th. For tickets, showtimes, and other series information, visit trylon.org. “My brother came home yesterday From somewhere far away He doesn’t look like I remember As he stares off into space He must’ve seen… Continue reading
| Sophie Durbin | Folk ballads are precious, living traces of the past that explain how things came to be as they are, or how things once were. Buried within layers of variation and localization, the original singers’ voices remain a haunting echo. Documenting a ballad… Continue reading
