| Ben Jarman | Nobody is surprised when it happens; it’s been coming for a long time, before written history. One argument turns into conflict after conflict. Sometimes the conflicts bring us to the brink, but never over the edge. The scholars warn and the media antagonize… Continue reading
| Doug Carmody | Threads opens to a world on the brink. But despite a sky disrupted by thundering jet planes and a radio warning of escalating tensions between NATO and Iran, the opening scene shows two young lovers, Ruth and Jimmy, trying to have a nice time on a date. The next scene… Continue reading
| Jake Rudegeair | Prepare to have your heart curdled and pressed. Prepare to have your nervous system rattled like a corpse-black skeleton in a crossroads cage. Elem Klimov’s last masterpiece COME AND SEE is cinema in the raw. It’s caustic, an aching descent into the ugliest, most engrossing… Continue reading
| Matthew Christensen | Twelve years ago, I was living in my parents’ basement. I was 44 and living in my parents’ basement. It was not a great moment for me. I had come back to the Twin Cities after a very fulfilling four years teaching at a high school in Turkey, a place whose… Continue reading
| Chris Polley | I barely understood what a lawyer was as a teen in the 90s. I especially never thought I’d end up marrying one. The major reference points I had were all from TV and movies: I loyally watched The Practice even as ABC kept messing with its time slot… Continue reading
| MH Rowe | It qualifies neither as an obscure bit of Hollywood trivia nor as a famous declaration of aesthetic taste, but you may or may not happen to know that the director Paul Thomas Anderson once went on at length in an interview… Continue reading
|Olga Tchepikova-Treon| I saw the “Lady Marmalade” music video before I saw Moulin Rouge!. Performed by a hot quintet of pop-singing ladies (Missy Elliot, who I admired for smooth dance moves; Christina Aguilera, entering her exciting dirty grrrl phase; P!nk, a tomboy role model;… Continue reading
| Dan McCabe | Baz Luhrmann isn’t your typical “great” filmmaker. His style hits audiences like a jackhammer. Moulin Rouge! (2001) is technically a period drama, but you could be forgiven for thinking the period was the 1990s and not the 1890s… Continue reading
|Dan Howard| There’s certainly something about the holiday season that strikes a chord with filmmakers. Whether it’s Todd Hayne’s Carol, Tim Burton’s Batman Returns, or Shane Black’s Kiss Kiss Bang Bang, any film using Christmas as the backdrop for a non-holiday story sets… Continue reading
|Penny Folger| To Die For plays at the Trylon Cinema from Friday, January 10th through Sunday, January 12th. Visit trylon.org for tickets and more information. Gus Van Sant’s To Die For, released in 1995, showcases a bristlingly ambitious woman named Suzanne Stone, played by Nicole Kidman, who will stop at nothing… Continue reading
|Ben Jarman & Carey Nadeau| To Die For plays at the Trylon Cinema from Friday, January 10th through Sunday, January 12th. Visit trylon.org for tickets and more information. The teens in this film are not realistic. That’s the only negative thing I thought about Gus Van Sant’s To Die For, but I… Continue reading
|Malcolm Cooke| The Others plays at the Trylon Cinema from Friday, January 10th through Sunday, January 12th. Visit trylon.org for tickets and more information. Director Alejandro Amenábar wrote the music for his third film, The Others (2001), just like he had for all of his previous projects. He was admittedly still an… Continue reading
|Phil Kolas| A teenager’s disembodied floating head leaps out of a well and bites another teenager directly on her buttocks, with the camera holding for at least three full seconds on the whole framed image, like it was appreciating a work of art… Continue reading
|Benjamin Jarman| My mom doesn’t like horror movies much, but she is open-minded enough to sit down and watch Sam Raimi’s The Evil Dead with her son. I wasn’t expecting her to become the newest fan of the franchise, but I was interested in what could keep someone from thinking positively about the horror genre. One of the clearest memories… Continue reading
|Andrew Neill| When I was 22, I wanted to be Samuel Marshall Raimi. You probably know him as Sam Raimi, director of The Evil Dead. I was a young, eager kid just out of film school, and he was my hero. His story seemed so close to my own, so attainable. In the fall of 1979, he and his buds Rob Tapert and Bruce Campbell wrangled up a small cast and a skeleton crew, descended upon… Continue reading
|MH Rowe| In the pantheon of suspected or perhaps nonexistent genres of film, one of my favorites is the foreign film that has the copy-pasted soul of a Hollywood blockbuster but feels strangely fresh and new. Such films relieve me of the burden of familiar movie stars. They relieve me temporarily of the peculiarities… Continue reading
|Andrea Buiser| Lino Brocka was born in the province of Sorsogon in 1939, in what was then an unincorporated territory and commonwealth of the United States that existed from 1935 to 1946. Growing up in a setting that shaped his understanding of social inequality, Brocka’s early life… Continue reading
|Chris Polley| For many who have endured a ninth grade and/or AP literature class, Shakespeare brings to mind big emotions and melodramatic ideas: forbidden romance, corrupt monarchs, or mistaken identity. An underrated aspect of a good chunk of his work, however, is its exploration of the horrors of the great beyond… Continue reading
|Penny Folger| “Your movie is like the Jaws of Airbnbs,” jokes Korey Coleman, host of the Double Toasted podcast to writer/ director Zach Cregger for whom Barbarian, in 2022, was his solo feature debut. For those who don’t remember the cultural impact of that record-breaking 1975… Continue reading
|Jay Ditzer| Half the fun (well, maybe a quarter of the fun) of going to the movies is the trailers shown before the main event. Do I want to see—or avoid—a new release? Well-made trailers are almost like tiny little movies themselves, and indeed, there’s an art to making a good trailer. The first rule of good trailers is … Continue reading
|Chris Ryba-Tures| When my parents first met, my dad was a Jesuit priest and my mom was studying to be a Catholic nun. While I may have started life as a “Child of the Cloth” I’ve since become an outsider to the Catholic Church. Still, I’m Culturally Catholic (which my wife insists is “not a thing”). … Continue reading
|Chris Polley| I was lucky enough to see David Robert Mitchell’s It Follows in the theater when it was originally released a little under 10 years ago today. At a movie theater that no longer exists, playing hooky from work after lunch but before daycare closed, I was already a bit anxious, being a goody two-shoes… Continue reading
|Allison Vincent| Like so many, when I first saw It Follows, I found it smart, scary, fresh, dreadful, and fascinating. Part of what initially grabbed my attention was the oft-discussed dream logic of the film. Watching it feels like the same relentless, hyper-focused dreams… Continue reading
|Doug Carmody| Bong Joon-ho’s The Host opens to scenes of tension and tragedy. First, in a politically overt sequence, an American doctor forces a Korean doctor to dump formaldehyde… Continue reading
|Hannah Baxter| How does a movie end up in front of theater audiences? Best case scenario: it’s the product of a major studio, with big stars, a respected director, and/or superheroes. The studio will likely handle distribution and marketing; if not, distributors will pay handsomely Continue reading
|Nazeeh Alghazawneh| The idea of someone “being ahead of their time,” whether it be an artist, an author, an activist etc., is kind of paradoxical. The phrase implies that broad social, philosophical or political landscapes will change inevitably, develop autonomously, independently of… Continue reading
|MH Rowe| Of course we’re supposed to condescend to the idea of a duel. To imagine two people—two men—agreeing to mortal combat with guns or swords over a breach of honor strikes the contemporary and perhaps cynical observer as so fussily absurd, so absurdly dramatic, and so male, that we… Continue reading
|Alex Kies| In 1977, two years after Stanley Kubrick released Barry Lyndon, Ridley Scott made his filmmaking debut with The Duelists, his own artfully shot Napoleonic epic about the inner lives of petty European men played by incongruously cast Americans. Last year, Scott made… Continue reading
|Chris Polley| There’s a certain built-in legacy in the alliterative phrase “corrupt cop” that belies its own linguistic paradox (or, perhaps, even its redundancy). The rogue detective, the rule-breaking sheriff, and the trigger-happy officer: even before modern American history… Continue reading
|Penny Folger| The Museum of Home Video is an online streaming show that took flight during the pandemic and seems to have created an empire. Started by Los Angeleno film programmer/distributor Brett Berg, it takes place at museumofhomevideo.com at 7:30 pm PST most Tuesday evenings. Since its inception in July… Continue reading
|Sophie Durbin| In the typical haunted house movie, the protagonist and their loved ones move into a house and stay put despite the fact that it has a million red flags (creepy caretaker, suspicious sounds at night, blood oozing from the elevators…). By the time the entire social order of the film collapses… Continue reading
|Michael Wellvang| By the mid-1980s, public perception of films “rated X” had shifted radically. First introduced in 1968 by the Motion Picture Association of America, the rating simply stated a patron should be at least sixteen to watch a particular movie. Now it just meant smut. So the MPAA… Continue reading
|Finn Odum| Last November, I learned that the guy who made the completely mid Body Snatchers and King of New York is the same guy who made Bad Lieutenant. This knowledge came to me against my will, as I was quite content not knowing anything else about… Continue reading
|Lucas Hardwick| Star Trek: The Next Generation ended its seventh and final season in May of 1994. The Emmy Award-winning series ran for 178 episodes and was one of, if not the most successful first-run syndication television show of all time. Thanks to its nightly 9 p.m. time slot… Continue reading
|Veda Lawrence| “Whatever souls are made of, his and mine are the same.” For all my adoration for Austen, I must admit that she never wrote a single confession of love that comes close to rivaling even a throwaway sentence in Wuthering Heights in terms of romanticism and ferocity. That said, … Continue reading
|Nazeeh Alghazawneh| As a pimp, the optics of being an absent, deadbeat parent are bad, but the optics of being a bad dancer are far worse—to abandon your child is your choice, but to falter in the corporeal shimmy-shimmy of a hot-blooded mambo dance… Continue reading
|Sophie Durbin| While procrastinating on my research for this piece on The Piano, I decided to learn everything I could about Michael Nyman’s lush original score. The track titles are as romantic and sensual as you’d expect: “The Heart Asks Pleasure First,” “The Scent of Love,” … Continue reading
|Jake Rudegeair| Ever seen First Knight (1995)? I didn’t think so. It was my first tangle with Gere as the famous Sir Lancelot of legend. I was ten and even then I wasn’t buying it. He’s an invincible swordsman and a treasonous Don Juan? I was put off by the cool-guy affect, anachronistic… Continue reading
|Finn Odum| Several weeks ago, in the monotonous gray cubes of the Mall of America® office tower, I dared to make a joke about my gender identity. This is how it went:
Finn, 24, strikingly gorgeous and wickedly funny email specialist: Now, I’m not like most women—in that I’m not one… Continue reading
|Natalie Marlin| When we dream, unconscious shapes fill in the blanks. Vague visages that recall someone we know, or perhaps the half-formed images of blurry memories—those specters of past days, buried, submerged, just waiting for free association to emerge—fill what is otherwise vacant. In my dreams… Continue reading
