|Jackson Stern| For all of its philosophical wonderings, questions of morality, madness, and arthouse sensibilities, there’s something very different about Ingmar Bergman’s follow-up to the monolithic Persona. Sure, it contains all of the aforementioned heft of his previous films… Continue reading
|Jake Rudegair| In your nightmare the dinner guests are ghouls (all but one of course, sweet Alma). They’re frocked up in tailcoats and ballgowns. They chat over each other, so you only catch shards here and there. “Bureaucratic vengefulness.” “Humiliation.” “The pus never… Continue reading
|Finn Odum| I must admit to you that I know very little about the 1970s. I know that Richard Nixon “pledged to end the Vietnam War”, sending the poorest of America’s sons to die aimless deaths while massacring innocents. Black activists fought in memory of assassinated… Continue reading
|Phil Kolas| Pulled pork tacos were a poor choice. That was my first thought when I started this movie. After the opening flash photography montage depicting half-decomposed human bodies, leading into the zoom-out reveal of… Continue reading
|Ben Jarman| Last week I learned about the fate of the original house from The Texas Chainsaw Massacre. It appears the house was cut into several pieces in the ‘90s and transported to a town 60 miles away. The house is now a restaurant in Kingsland, TX. This revelation is… Continue reading
|Dan McCabe| Obedient tool. That phrase from the intertitles of Metropolis describes what a group of men desire in another science fiction film made decades later, The Stepford Wives (1975). In Metropolis… Continue reading
