History’s Greatest Puzzle Room in which the Prize is Punching Nazis: Indiana Jones and the Last Crusade

|Allison Vincent| When we first started dating, my wife worked at a puzzle room in St. Paul, MN. One of the many perks of such a venture is that I got to play-test rooms occasionally. One such room was heavily influenced by a certain wizarding world created by She-Who-Must-Not-… Continue reading

The Great Dictator: What Else is There to Say?

|Brad Bellatti| For the better part of 15 years, the above image of Chaplin has bothered me. No matter how many times I watch this sequence, the finale of Charlie Chaplin’s The Great Dictator (1940) shakes me up. I’ve tried many times to find the right words to express this sentiment… Continue reading

Interview: A Grandmother on Godzilla vs. Gigan 

|Ben Jarman| My mom is back with her take on another film that would normally disinterest her: Godzilla vs. Gigan. My mom never watched Godzilla films with me when I was a kid, but she never stopped me from watching or pretending I was a giant creature in my backyard. A giant to her is… Continue reading

Leaves in the Storm: The Role of Nature in The Virgin Spring

A black and white image of a man standing on a hill, to the right of a tall, skinny tree. Several hills are visible in the background.

| Jared Meyer | Ingmar Bergman was the first filmmaker who made me realize you can film the invisible. While first discovering my love of film and beginning my practice as a filmmaker, Bergman’s films broke open my perception of movies as entertainment, that they could be just as complex a probing… Continue reading

How the Orientalist Vices of Licorice Pizza Overpower its Virtues

|Anjali Moore| Since I have always held a compulsive devotion to 1970s media and coming-of-age films, I ventured to the cinema to see Licorice Pizza with relatively high hopes when it was first released in 2021. I felt like Licorice Pizza might pierce my general disaffection for PTA… Continue reading

A New Vision of the Western: Paul Thomas Anderson’s There Will Be Blood

|Dan McCabe| For better or worse, the Western is the quintessential American myth from its beginnings with The Great Train Robbery (1903) through the films of John Ford, Sergio Leone, and Clint Eastwood. During the Western’s heyday in the first half of the 1900s, the nineteenth… Continue reading

Oneiric Reflections and Rebirth of Femininity in Maya Deren’s Meshes of the Afternoon (1943) & At Land (1944)

|Olivia Fredrickson| The cinema of Maya Deren without a doubt captures not only the intrinsic reflections of her consistently shifting identity as a woman and artist, but also the labyrinthic inner workings of the self and psyche. Both of these crucial elements of her cinema and identity… Continue reading