The Cooler Blonde: Marjorie Wood, Geek Chic, and Obsessions (with Glasses?)

|Matthew Christensen| “News Item” Men seldom make passes At girls who wear glasses. -Dorothy Parker Let me start off by saying that I never fully understood Scottie Ferguson’s obsession with Madeleine Elster in Hitchcock’s Vertigo. I mean, I get why he falls for her. Kim Novak—playing the part in perfectly coiffed white-blonde hair… Continue reading

Vertigo, La Jetée, and 12 Monkeys: Three Films Where Time is Treated Like Butter in Croissant Dough *Mind Blown Gesture*

|Allison Vincent| I do not identify as a time travel girly. Movies where the laws of time and space are bent need strong foundations for me to enjoy them, otherwise I find myself inundated with intrusive thoughts about logic, the “rules of the universe” (those generated by the… Continue reading

Birds of a Feather Hate Surprises and Don’t Cope with Change Very Well Together

|Lucas Hardwick| ***No surprises here: spoilers ahead.*** In the broad scope of the human struggle, few things are as relentless as the churning juggernaut of unwashed laundry. Every day, we peel off layers of clothes only to put on more layers of clothes that we eventually peel off… Continue reading

Hitchcock Astrology: Under Capricorn Inspires a Misguided Trip Through the Zodiac

|Andrew Neill| I have never seen the 1949 film Under Capricorn, directed by Alfred Hitchcock. I freely (and quite bravely) admitted this in my pitch to the benevolent editors of this blog. On April 10th, when the film screens at the historic Heights Theater, I will be sitting… Continue reading

Horoscope for Those Born Under the Sign of Capricorn: December 3, 1831

|Bill Nelson| HOROSCOPE FOR THOSE BORN UNDER THE SIGN OF CAPRICORN:(1) DECEMBER 3, 1831(2). As the Book says, we may be through with the past, but the past ain’t through with us.(3) Your own past will visit you this month in unpleasant ways,(4) causing you to doubt your choices Continue reading

Don’t Ever Trust a Man that Calls You Monkeyface: Masculinity then and now

|Reid Lemker| If you learn one thing after watching Alfred Hitchcock’s 1941 film Suspicion, it should be this: don’t ever go out with a guy that refers to you as “Monkeyface.” I don’t care where they are from, how much money they claim they have, or even if they look like a young… Continue reading

To Love or Leave: The Paradoxical Feminism of Alfred Hitchcock’s Suspicion

|Chris Polley| “Just because you’re paranoid doesn’t mean they aren’t after you,” Joseph Heller famously wrote in his 1961 wartime satire Catch-22. Taking place during World War II and reveling in the titular paradoxes inherent in the very concepts of warfare and military service… Continue reading

Crawling Up the Walls: Set Design and the Use of Space in Dial M for Murder

|Courtney Kowalke| I lived in my last apartment for five years and ten months. When I was allowed to work from home at the start of the coronavirus pandemic, my apartment was the center of my universe. I got out plenty, taking long walks and bike rides and drives around the city. Still… Continue reading