The Transformative Power of Girl on Top: Death, Sex, and Agency in The Terminator

Sarah Connor and Kyle Reese have an intimate conversation in the Tiki Motel

|Chelli Riddiough| The Terminator isn’t a very horny film, unless you’re into feathered mullets and homicidal Austrians. But inside this ‘80s action thriller lives a love story, and not one, but two, very weird sex scenes. That’s enough to catapult it into a genre I call “cyberspunk.” When The Terminator begins, our protagonist… Continue reading

Shark Cents: Deep Blue Sea’s Place in the Value of Warner Bros. Discovery

|Ben Jarman| Memories of Deep Blue Sea’s initial release still stick with me even though I never went to see it. I remember the smart shark gimmick and Samuel L. Jackson yelling, “Just what the hell did you do to those sharks!” in the trailer. I also remember… Continue reading

“I’m Mad As Hell!”Network And The Profits Of Rage

Peter Finch as Howard Beale standing in front of a bank of clocks, sweaty and angry, his hands in the air, yelling.

|Wil McMillen| Network plays in at the Trylon Cinema from Friday, March 27th, through Sunday, March 29th. For tickets, showtimes, and other series information, visit trylon.org. My first day as a national news photographer was December 19, 1998, one of the most important and crazy days that nobody ever talks about…. Continue reading

Toward a Cinema of Noise: Demonlover (2002)

Diane (Connie Nielsen), a woman with short brown hair, reclines on a couch and looks at the viewfinder of a digital camcorder. Her mouth is slightly open in an inscrutable expression of engrossment. She holds a cigarette between her fingers.

|Natalie Marlin| Noise was roiling in Olivier Assayas’s blood as the 20th century neared a close. At the end of his 1996 film Irma Vep, the director of the film-within-a-film has disavowed his initial attempt at a conventional filmmaking style. The star has left the picture. The narrative is… Continue reading

They Live in the Twin Cities

John Nada (Roddy Piper), a white adult man with a dark blonde mullet hair cut, wearing a plaid short, is looking up from his dark sunglasses. He is standing in front of a news stand.

|Lucas Vonasek| John Carpenter’s They Live (1988) begins bleakly. Train horns moan as they clatter along the rails, surveillance helicopters chop through the air above in staccato, and smog drapes a city dominated by monolithic buildings clad with corporate logos. These structures… Continue reading

The Badlands of Downtown LA

Emilio Estevez’s character “Otto” takes a stroll through the chaotic nightmare of Downtown Los Angeles”

|Brogan Earney| If you’re like me and you grew up in Minnesota in the 90s or early 2000s, then we can all agree that Gordon Bombay was the shit. I first saw the Mighty Ducks films when I was 6 years old, and I quickly latched onto the character and looked up to his methodology, and I wasn’t even a hockey player. Over time, I realized that… Continue reading

The Tragedies Play Well: Akira Kurosawa’s Three-Time Love Affair with Shakespeare

A petrified Shirai (Kō Nishimura) holding his briefcase with Nishi (Toshiro Mifune) observing from his desk.

|Dan Howard| Before anything was “Lynchian,” “Altmanesque,” or “Kafkaesque,” it was “Shakespearean.” For the last four centuries, William Shakespeare’s deep-seated insight into the emotion and moral complexity of the human experience continues to enthrall audiences to this very day. Every actor… Continue reading

Shout Out to Ellen Ripley: How Regular Heroes Inspire Us in Our Darkest Times

Ellen Ripley stands holding Jones the cat against the backdrop of spaceship mechanicals.

|Allison Vincent| When I initially pitched this idea for Alien to Perisphere, I intended to write a snarky, humor-laden essay about the trope of smart women who are ignored in horror/sci-fi films until the very loud, usually mustachioed men who did the ignoring succumb to their dumb, … Continue reading

A Lengthy and Mundane Explanation of the Fashion Hierarchy of Men in Brazil’s Well-Oiled Government Machine and Absolutely, Positively, 100% Nothing Else

A group of six looming, smirking white men in light grey, pinstripe suits looking into camera. The central man is agape in frustrated anguish.

|Zach Staads| If you really want to make a statement, affect some real change and be an upstanding, ambitious member of the bureaucratic body that keeps the lights on*—you should know the importance of bureau fashion and the importance it plays in… Continue reading

Human Enough

A shirtless Roy Batty (Rutger Hauer) holds a dove on a rainy rooftop

|Harry Mackin| “Did you ever take that test yourself?” Whenever an institution of power has wanted to exploit, enslave, or just murder another group of people, they’ve gotten away with it by convincing everyone else that group isn’t really human. There have been… Continue reading

I am the One and Only: Moon and the Advent of Loneliness 

Image of a beige robot. There is a screen that shows drawings of eight people like a virtual meeting. All of them are named Sam.

|Nicole Rojas-Oltmanns| In 2020 when COVID-19 shut down most of our social connections, I, like many caregivers, was the opposite of lonely. While so many were alone at home, I was inundated with constant human interaction. While I had purpose… Continue reading

“That Means You Don’t Talk”: Michael Mann’s The Insider

Jeffrey Wigand (Russell Crowe) records his whistleblowing interview for 60 Minutes in Michael Mann’s The Insider (1999).

|Steve Rybin| Four years separate Michael Mann’s crime drama Heat (1995) and his next movie, The Insider (1999).  While Heat’smonumental pairing of Al Pacino and Robert De Niro is considered by many to be the highlight of the director’s career, The Insider remains the Mann film… Continue reading

The Art of the Reference in Who Framed Roger Rabbit

Detective falling with rabbit & mouse.

|Jackson Stern| I remember when I was eleven or twelve and I watched Who Framed Roger Rabbit for the first time. Around the age of ten, I caught the cinephile bug after discovering classics like King Kong and Casablanca but before that Continue reading

Michael Clayton and Tony Gilroy’s American Conscience

A cold, lit up jumble of New York skyscrapers at night, shot from overhead, just close enough to get a hint of the activity that populates the office behind each window.

|Ryan Sanderson| Michael Clayton plays in glorious 35mm at the Trylon Cinema from Sunday, March 1st, through Tuesday, March 3rd. For tickets, showtimes, and other series information, visit trylon.org. “You sharpen the human appetite to the point where it can split atoms with its desire, you build egos the size… Continue reading