|Natalie Marlin| Hearing it solely on its own terms, “Goodbye Horses” is an achingly beautiful song. Q Lazzarus’ voice quavers but never loses its assuredness. She makes the most of her low resonance, embracing her voice’s androgynous qualities. William Garvey’s gorgeously cryptic lyricism is just as crucial to the song’s mystique… Continue reading
|Kevin Maher| The pitch for The Blair Witch Project, the 1999 summer box office phenomenon and viral marketing sensation, is as simple as the finished movie actually turned out to be. “Student filmmakers go into the woods to make a documentary, disappear, and their footage is found,” certainly relays the basic tenants of the story… Continue reading
|Chris Ryba-Tures| Somewhere between Planet Hollywood and Hooters, on the top floor of the Mall of America, I was stopped dead in my tracks. It was 1998. I was seventeen, sporting a bleach-blonde Eminem haircut, a brand-new Marilyn Manson “Antichrist Superstar” ringer tee from Hot Topic, and black leather 8-hole Doc Marten’s that were finally getting that perfect mosh pit scuff… Continue reading
|Penny Folger| Bram Stoker’s Dracula, a novel that was originally published in 1897, was later adapted to film over 200 times. What led Francis Ford Coppola to make it again in 1992, on the heels of his Godfather III? The answer can be found in then 19-year-old Winona Ryder. After dropping out of Godfather III due to nervous exhaustion… Continue reading
|Hannah Baxter| It’s November 1992, and a new movie with Winona Ryder and Keanu Reeves has just come out. As someone born at the tail end of Gen X, that’s all you need to know. You’ve never heard of Francis Ford Coppola or the male lead, someone unmemorably named Gary Oldman. You have, however, watched Heathers, Edward Scissorhands, … Continue reading
|Chris Polley| Besides both of us being complete dorks, the venerable, legendary auteur Francis Ford Coppola (of Godfather and Apocalypse Now fame) and I have exactly one thing in common: We both forced a group of people to sit down and read Bram Stoker’s iconic gothic novel Dracula out loud together… Continue reading
|Sophie Durbin| My first encounter with George Sluizer’s The Vanishing was on a lazy evening in February of 2023. The Criterion Channel description promised a “truly unsettling” ending, which drew me in since I love being upset by fictional peoples’ problems… Continue reading
|MH Rowe| You might say The Vanishing (1988) tells the tale of two creepy men. One is a fretful, controlling boyfriend, the other a methodical murderer. With a different emphasis, the director George Sluizer might have smoothed out the boyfriend and signaled to the audience that we aren’t supposed to understand Rex Hofman (Gene Bervoets) as a creep… Continue reading
|Dan Howard| I was first introduced to Kiyoshi Kurosawa back in January, when attending a screening of Pulse (2001). During the film, I observed something you typically don’t see in a lot of modern horror media… Continue reading
|Chelli Riddiough| The first sound you hear in the 1996 horror film Scream is a ringing telephone. Not the Apple ringtone everyone has, not a tinny song emanating from a speaker. No: it’s a bold, loud ring… Continue reading
