Tag: Drama

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Echoes of the Past: Let’s Scare Jessica to Death and the Haunted Heroine Archetype

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A headache = a brunette woman rubbing her temples with both hands

|Courtney Kowalke| Last night I dreamt I went to Manderley again.

Or did I? Do you believe everything I write in these reviews? Do you take me at my word when I mention details from my life, or is there a sliver of doubt? Do you know who I am offline? When I’m not the person behind the keyboard telling you… Continue reading

Constructing an Auxiliary Language of Horror: Esperanto

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|Sophie Durbin| I have a strict “don’t talk about people from your past in your writing, they didn’t sign up for that” policy, but I am going to break it to share that I had an ex tell me (I was an admittedly overzealous linguistics minor in college at the time) that the concept of preserving… Continue reading

Live From New York: How Rod Serling’s Patterns Elevated TV Drama

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|J.R. Jones| This review contains spoilers. In our modern media landscape, where TV and the movies are slowly dissolving into a giant video stream, we might not recall that 70 years ago these two media were starkly distinguished. Movies were prestigious, a serious art form, and television was… Continue reading

The Thin Line Between Chaotic and Lawful: Litigious Grief in Atom Egoyan’s The Sweet Hereafter

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A medium-long shot of Tom McCamus as Sam Burnell sitting on top of a picnic bench alongside Sarah Polley as his daughter Nicole Burnell. Sam has one leg propped up on the bench of the table, his hands resting in his lap and holding a half-eaten ice cream. He's dressed in forest green coveralls and wearing a brown leather toolbelt, staring up and to the left with an inscrutable expression on his face, his shoulder-length dark hair blowing in the wind. Nicole has both legs propped up on the same bench and is dressed in beige, white, and pink clothing, including a patterned sweater with rabbits strewn across the chest. She is mid-bite of her cone and looks amused. The brightly lit background indicates they are at a carnival at dusk.

| Chris Polley | I barely understood what a lawyer was as a teen in the 90s. I especially never thought I’d end up marrying one. The major reference points I had were all from TV and movies: I loyally watched The Practice even as ABC kept messing with its time slot… Continue reading

A New Vision of the Western: Paul Thomas Anderson’s There Will Be Blood

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|Dan McCabe| For better or worse, the Western is the quintessential American myth from its beginnings with The Great Train Robbery (1903) through the films of John Ford, Sergio Leone, and Clint Eastwood. During the Western’s heyday in the first half of the 1900s, the nineteenth… Continue reading