The Sun Rises and Sets with Heat

|Natalie Marlin| Hamlet is no more a play about a prince seeking revenge than it is about any of its other threads—nationalistic aristocratic decay, melancholic humors, loss inciting psychiatric madness. Patsies cast off to certain death, mere pawns in power plays. Blood begetting more blood, until it is entirely… Continue reading

The Tragedies Play Well: Akira Kurosawa’s Three-Time Love Affair with Shakespeare

A petrified Shirai (Kō Nishimura) holding his briefcase with Nishi (Toshiro Mifune) observing from his desk.

|Dan Howard| Before anything was “Lynchian,” “Altmanesque,” or “Kafkaesque,” it was “Shakespearean.” For the last four centuries, William Shakespeare’s deep-seated insight into the emotion and moral complexity of the human experience continues to enthrall audiences to this very day. Every actor… Continue reading

Tragic, Gothic, and Domestic: Classical Horror in Kim Jee-woon’s A Tale of Two Sisters

A low shot from the vantage point of under a piece of furniture, which frames the view, two men are seen cradling the flailing body of a woman, whose back is arched and looking out and above the lens. Dishes and pills are scattered on the burnt orange floor, where there is also a lace-covered table in the background, a velour-covered table in the middle ground, and a blue-gray Persian rug in the foreground.

|Chris Polley| For many who have endured a ninth grade and/or AP literature class, Shakespeare brings to mind big emotions and melodramatic ideas: forbidden romance, corrupt monarchs, or mistaken identity. An underrated aspect of a good chunk of his work, however, is its exploration of the horrors of the great beyond… Continue reading