|Cole Seidl| There’s a very specific existential crisis that happens to many film students. It occurs with such frequency as to almost feel like a cliché. You spend 4 years drowning in film. Film history, film theory, film production, film conversations. Then, you suddenly find yourself… Continue reading
|Sophie Durbin| Eager to celebrate Bleak Week, my favorite national holiday, I asked humbly to write about Sátántangó. My intentions were noble. I wanted to do a “Slow Looking” analysis in which I muse about the benefits of immersing oneself in the world of a film over many… Continue reading
|Luke Mosher| Béla Tarr’s slow cinema masterpiece Werckmeister Harmonies (2000) is a bleak and beautiful experience. It is exactly the kind of film that repertory theaters like Trylon were designed for. During the nearly 2.5 hour run time, you can’t check your phone or get distracted by your dog; you must sit in the theater and reckon with it… Continue reading
