| Jackson Stern | Of all the corruption, illnesses, and injustices affecting the world today (you could count them on fifteen hands), few are as elusive as what many refer to as the “male loneliness epidemic.” We seem to discuss this very real sickness as if… Continue reading
|Finn Odum| “It’s Bleak” | The 1970 Peter Boyle film Joe is not part of our Bleak Week programming—though you’d be forgiven if you thought it was. Joe, which we programmed to kick off our Cantankerous Peter Boyle series, follows a wealthy advertising executive (Dennis Patrick) Continue reading
| Jake Rudegeair | Prepare to have your heart curdled and pressed. Prepare to have your nervous system rattled like a corpse-black skeleton in a crossroads cage. Elem Klimov’s last masterpiece COME AND SEE is cinema in the raw. It’s caustic, an aching descent into the ugliest, most engrossing… Continue reading
|Jackson Stern| Claire Denis has always made monster movies. Or, at least, movies with monsters in them or, most commonly, movies about the survivors of monsters. Most of her films revolve around (or feature in a capacity) people who have intense sense of dread permeating… Continue reading
|Ryan Sanderson| I didn’t fall for Scorsese initially, the same way I did for his contemporaries. Raging Bull left me cold. I hated the characters in Goodfellas too much to really latch on. Make no mistake—I encountered plenty of toxic masculinity in adolescence, just a brand that disguised… Continue reading
|Penny Folger| The Museum of Home Video is an online streaming show that took flight during the pandemic and seems to have created an empire. Started by Los Angeleno film programmer/distributor Brett Berg, it takes place at museumofhomevideo.com at 7:30 pm PST most Tuesday evenings. Since its inception in July… Continue reading
|Penny Folger| “There was no bigger disaster than Blow Out,” reminisces director Brian De Palma on the reception his film received when it was originally released in 1981. It’s a film that, 43 years later, is held in much higher esteem, even cited by Quentin Tarantino as… Continue reading
|Chris Polley| A man takes a photograph, inspiring another to write a story, inspiring another to make a film, inspiring another to…make another film. This is how it works now, losing the magic and mystery of folktales passed down generation upon generation via oral storytelling but gaining the benefits of … Continue reading
|Yuval Klein| With action, slapstick, deadpan machismo, a jazzy soundtrack, and avant-garde edits, the tone of Branded to Kill is set in an extensive and superbly shot shootout scene, in which our protagonist, a “highly ranked” assassin named Gorô, is ambushed. With him, an anxious and formerly ranked acquaintance… Continue reading
|Finn Odum| 0. The Fool. I’ve always had a thing for weird little freaks. They’re exactly what they sound like: people whose behavior is absurd or unsettling. They have complicated relationships with subjects like sex, drugs, and religion. They can be repressed or unhinged… Continue reading
