|Timothy Zila| There’s a knock on the door or a ringing phone or, quite often, a stranger waiting in the detective’s office. The noir protagonist doesn’t seek trouble out; trouble seeks him. So it goes in Chinatown and The Maltese Falcon. And so it goes, too, in Blade Runner. When we meet Deckard… Continue reading
|Sophie Durbin| What movie has the finest ensemble cast of the 1980s? Hannah and her Sisters? The Color Purple? The Breakfast Club? The Untouchables? Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean if you’re feeling obscure? Nope! It’s Pee Wee’s Big Adventure. I could write… Continue reading
|Bob Aulert| The 1970s film industry was rife with paranoia, as films like The Parallax View (1974), The Conversation(1974), Three Days of the Condor (1975), and All The President’s Men (1976) played to eager audiences shocked by the revelations of Watergate and quite ready… Continue reading
|Mia McGill| If you ask someone what their favorite queer comfort film is, you’ll turn back a wide variety of answers; maybe some cult classics like But I’m a Cheerleader or Hedwig and the Angry Inch, or newer faves like Bottoms or Love, Simon… Continue reading
|Natalie Marlin| Hearing it solely on its own terms, “Goodbye Horses” is an achingly beautiful song. Q Lazzarus’ voice quavers but never loses its assuredness. She makes the most of her low resonance, embracing her voice’s androgynous qualities. William Garvey’s gorgeously cryptic lyricism is just as crucial to the song’s mystique… Continue reading
|Kevin Maher| The pitch for The Blair Witch Project, the 1999 summer box office phenomenon and viral marketing sensation, is as simple as the finished movie actually turned out to be. “Student filmmakers go into the woods to make a documentary, disappear, and their footage is found,” certainly relays the basic tenants of the story… Continue reading
|Chris Ryba-Tures| Somewhere between Planet Hollywood and Hooters, on the top floor of the Mall of America, I was stopped dead in my tracks. It was 1998. I was seventeen, sporting a bleach-blonde Eminem haircut, a brand-new Marilyn Manson “Antichrist Superstar” ringer tee from Hot Topic, and black leather 8-hole Doc Marten’s that were finally getting that perfect mosh pit scuff… Continue reading
|Penny Folger| Bram Stoker’s Dracula, a novel that was originally published in 1897, was later adapted to film over 200 times. What led Francis Ford Coppola to make it again in 1992, on the heels of his Godfather III? The answer can be found in then 19-year-old Winona Ryder. After dropping out of Godfather III due to nervous exhaustion… Continue reading
|Hannah Baxter| It’s November 1992, and a new movie with Winona Ryder and Keanu Reeves has just come out. As someone born at the tail end of Gen X, that’s all you need to know. You’ve never heard of Francis Ford Coppola or the male lead, someone unmemorably named Gary Oldman. You have, however, watched Heathers, Edward Scissorhands, … Continue reading
|Chris Polley| Besides both of us being complete dorks, the venerable, legendary auteur Francis Ford Coppola (of Godfather and Apocalypse Now fame) and I have exactly one thing in common: We both forced a group of people to sit down and read Bram Stoker’s iconic gothic novel Dracula out loud together… Continue reading
