The Transformative Power of Girl on Top: Death, Sex, and Agency in The Terminator

Sarah Connor and Kyle Reese have an intimate conversation in the Tiki Motel

|Chelli Riddiough| The Terminator isn’t a very horny film, unless you’re into feathered mullets and homicidal Austrians. But inside this ‘80s action thriller lives a love story, and not one, but two, very weird sex scenes. That’s enough to catapult it into a genre I call “cyberspunk.” When The Terminator begins, our protagonist… Continue reading

The Badlands of Downtown LA

Emilio Estevez’s character “Otto” takes a stroll through the chaotic nightmare of Downtown Los Angeles”

|Brogan Earney| If you’re like me and you grew up in Minnesota in the 90s or early 2000s, then we can all agree that Gordon Bombay was the shit. I first saw the Mighty Ducks films when I was 6 years old, and I quickly latched onto the character and looked up to his methodology, and I wasn’t even a hockey player. Over time, I realized that… Continue reading

A Lengthy and Mundane Explanation of the Fashion Hierarchy of Men in Brazil’s Well-Oiled Government Machine and Absolutely, Positively, 100% Nothing Else

A group of six looming, smirking white men in light grey, pinstripe suits looking into camera. The central man is agape in frustrated anguish.

|Zach Staads| If you really want to make a statement, affect some real change and be an upstanding, ambitious member of the bureaucratic body that keeps the lights on*—you should know the importance of bureau fashion and the importance it plays in… Continue reading

The Real Sequel to Mad Max: How to Explain the Apocalypse in The Road Warrior by Watching Threads

Just after a nuclear explosion, the silhouette of a man on a bike in a tree burns in an orange blaze.

| Ben Jarman | Nobody is surprised when it happens; it’s been coming for a long time, before written history. One argument turns into conflict after conflict. Sometimes the conflicts bring us to the brink, but never over the edge. The scholars warn and the media antagonize… Continue reading

Demolishing Technocratic Fascism

|Lucas Vonasek| Fascism can take many forms. Throughout books and movies, it is often portrayed as overt and obvious villainy where injustice drips from the pronounced canines of the antagonist. Other times, fascism can be seen as a devilishly debonair individual smoothly… Continue reading

From Truce to Tyranny: Pulp Historicism in Walter Hill’s The Warriors

|Chris Polley| “The neighborhood hasn’t really changed that much,” NYPD Detective William McQueen said to The New York Times in 1979 for a story about record-breaking violent crime in the Big Apple. He added, “Homicides seem to be the thing we have the least control over. Burglaries… Continue reading

If Women Talked About Pride and Prejudice the Way Men Talk About Blade Runner

Sean Young as Rachael, a light-skinned woman with dark, made-up hair, wearing bright-red lipstick and nail polish, is encircled in a cloud of smoke from the cigarette she holds in her fingers while gazing into the camera.

|Veda Lawrence| Our unsuspecting man will be minding his own business, drinking a lackluster old fashioned at the bar, reading a book, likely taking a day off of his more literary endeavors and winding down with some fluff, perhaps Do Androids Dream of Electric Sheep? or some other light, beachy read. Just then, his peace will be disturbed… Continue reading

Twice Quit—Blade Runner and the Reluctant Noir Protagonist

Deckard is sitting at a noodle restaurant, facing us, with his eyes turned downward. Behind him, Edward James Olmos’ Gaff stands menacingly.

|Timothy Zila| There’s a knock on the door or a ringing phone or, quite often, a stranger waiting in the detective’s office. The noir protagonist doesn’t seek trouble out; trouble seeks him. So it goes in Chinatown and The Maltese Falcon. And so it goes, too, in Blade Runner. When we meet Deckard… Continue reading