Touch of Evil: At the Border of Truth

|Yuval Klein| At the Mexico–U.S. Border, gangsters and police animate a caustic criminal underbelly. The protagonist, Mike Vargas, is a respected Mexican criminal prosecutor who crosses over to his American newlywed’s home country at the precise moment of an… Continue reading

Arica, mi Amor: Cine Chileno y La casa lobo

|Finn Odum| I. Gringos en Arica. The first of my three weeks in Arica, a city on the Chilean-Peruvian border, was spent in a beachside hotel. We had free breakfast in the mornings, a pool overlooking the ocean, and most importantly, a bar just a five-minute walk away. Many of us were… Continue reading

A Phenomenology of the East Coast: Sidney Lumet’s The Verdict

|MH Rowe| As quiet and downbeat as it is—as suspicious of institutional authority as it is—The Verdict (1982) is not quite the post-Watergate courtroom drama it appears to be. It traffics instead in a variety of chastened heroism, the kind that comes from finding out that… Continue reading

Four “Fuckin A!” Moments in Action Movie Music

A fire-filled background with human silhouettes flying through the air. The middle of the image holds "'80s Action Extravaganza" in red bold letters.

| Matthew Tchepikova-Treon | Beyond the hardbody brass hits, kettle drums, soaring guitars, and motoric basslines (that nowadays punctuate every last over-edited theatrical trailer to death), action movie music comes in many forms. In the 1970s, performers like J.J. Johnson (Across 110th Street), Johnny Pate… Continue reading

Down the Yellow Brick Road and Through the Looking Glass: How Zardoz Was Colored by its Era and Reflects Back on Today

|Zach Staads| So, the civilization we know today is coming to an end and the enlightened intelligentsia want to use the end of the world as a playground for their own disaffected experiments and whims as they figure out immortality and aren’t sure what to do with the cruder… Continue reading