|MH Rowe| A lot of art seems gruesome and tasteless when you’re twelve or thirteen years old. It repels and attracts you for exactly that reason. Later, when you’ve reached maturity or thereabouts and are better equipped with the faculty of judgement, you may have a… Continue reading
|Chelli Riddough| When my ex-boyfriend Chris and I were splitting up, we had a breakup photo shoot. Our friend Zoey came over and took a series of photographs of us in the living room: hugging, holding the cat, sitting side by side. At the time, my close friends… Continue reading
|Harry Mackin| Spoilers for His Motorbike, Her Island—watch the movie before you read this! We meet several different versions of His Motorbike, Her Island’s protagonist, Koh. First, we meet Koh the narrator. This Koh begins his narration immediately following the opening images of the film, when an appropriately… Continue reading
|Zach Staads| I’ve used this quote at the top with almost no context for where it comes from or what it means. I’m not even checking to see if the person who quoted this is correct, and that this is something Kurt Vonnegut said or wrote. I quote it to illustrate how… Continue reading
| Dan Howard | When was the last time you had a really messed up dream? Did you want to just shake it off and forget the dream, or did it pique your curiosity? In the case of both avant-garde and bleak storytelling, it’s speculated that those who are drawn towards… Continue reading
| Ryan Sanderson | Dogra Magra (Toshio Matsumoto, 1988) is a detective story the same way that Radiohead’s King of Limbs is a dance album. Many of the pieces are there, but they’re arranged in a way that will infuriate some and perplex many more. It left me surfing through doctoral theses on… Continue reading
|Ryan Sanderson| Fires on the Plain begins with a literal slap to the face. Cruel, jarring, and just a little bit funny. That’s the energy Kon Ichikawa maintains throughout his bleak and disturbing masterpiece which feels like a cross between Apocalypse Now and Bambi. If a film before 1960 captured Continue reading
|Finn Odum| Author’s note: This essay contains discussions of fictional suicide and real-life suicidal ideation. I. Citalopram On a relatively warm Monday evening last September, while on a short walk to see Kenji Misumi’s Ken at the Trylon, I found myself struggling to cross the street… Continue reading
|Dan Howard| By the start of 1962, Yasujirō Ozu had already directed a staggering 53 feature films that spanned a 33-year journey. With classics like Tokyo Story (1953) and Floating Weeds (1959) to lesser-known gems like The Munekata Sisters (1950), the deeper you dive… Continue reading
|Nate Logsdon| Wim Wenders couldn’t find reality anywhere. In the Spring of 1983, he had traveled to Tokyo to mark the 20th anniversary of Yasujirō Ozu’s death. He was seeking the Japanese world that appeared so luminously in the films of that great director, whose body of work… Continue reading
|Dan Howard| In this day in age, television is just as common and almost essential to our daily lives as food or nature. Sometimes, it feels like it’s just always been around, but in fact, the first concept of what would ultimately become television, Facsimile Transmissions, was introduced… Continue reading
|John Moret| The samurai film is, in essence, a very conservative genre in the same realm as the western or horror film. Before you freak out, I don’t mean conservative in terms of politics (though, really…) but in form. The conventional film would witness a ronin finding his honor after losing his way… Continue reading
|Chris Ryba-Tures| If you’re reading this, there’s a good chance you already know something about One Cut of the Dead. If you’ve seen it, you don’t need me to tell you how special it is, nor would you want me spoiling it. An unassuming genre-bender like this, packed to the gills… Continue reading
|Cole Seidl| Shinichiro Ueda’s One Cut of the Dead has been incredibly, yet quietly, influential since its initial release in Japan in 2017. It has spawned a small independent film movement in Japan known as “nagamawashi” films (or “long take” films) which aim to exploit the… Continue reading
|Hannah Baxter| Kinji Fukasaku and Shinichi “Sonny” Chiba, who stars in Samurai Reincarnation (1981), collaborated regularly throughout Fukasaku’s 40-year, genre-straddling directorial career. Chiba appeared in nearly a third of Fukasaku’s output, including the first four movies… Continue reading
|Yuval Klein| With action, slapstick, deadpan machismo, a jazzy soundtrack, and avant-garde edits, the tone of Branded to Kill is set in an extensive and superbly shot shootout scene, in which our protagonist, a “highly ranked” assassin named Gorô, is ambushed. With him, an anxious and formerly ranked acquaintance… Continue reading
|Azra Thakur| Four or five years ago, a colleague and I went out for lunch in downtown Saint Paul. We’d started our jobs within a couple of months of each other and were new to working in Lowertown, trying to find vegetarian-friendly restaurants to get a break from bringing… Continue reading
|Jake Rudegeair| A lot has been written about camp, especially when it comes to film. It’s one of those delicious words that we all seem to understand, but gets so warped by bumps and nodules of meaning that its definition keeps changing. Maybe it’s like that old subjective definition… Continue reading
|Dan Howard| Looking at the history of cinema, I gravitate the most toward the works produced in the golden age of Japanese cinema during the ‘50s and ‘60s. Although I’m not overly fond of Westerns, a lot of samurai films have been heavily influenced by them. Even Akira Kurosawa took… Continue reading
|Lucas Hardwick| Way back in cable television’s Mesozoic era—when networks like the Independent Film Channel showed, you know, independent films, in the wee hours of Saturday morning right as Friday night’s winos and third-shifters were drifting off to sleep—one could… Continue reading
|John Moret| Ronin, noun, historical (in feudal Japan): a wandering samurai who had no lord or master.
On a wintry day in 2012, a friend and I met for our weekly movie and lunch meetup. It was his choice that week and he brought a new release from the Criterion Collection, Three Outlaw Continue reading
|Matt Levine| The turn of the millennium occasioned many films that lamented and/or celebrated the digitization of the world as we knew it. The Matrix and its sequels envisioned all of humanity living in a virtual reality while machines sucked out our lifeblood… Continue reading
