Apocalypse Now Is My Cinema Addiction: Lessons In Physiological Film Experience and Coppola’s Choreography of Death  

|Casey Jarrin| Every morning in tenth grade, I’d press PLAY on my Panasonic VCR, the opening sequence of Apocalypse Now cued up and ready to explode into orange-red-pink pyrotechnics of helicopter-war-as-cinema-painting, soundtracked by Jim Morrison’s… Continue reading

Never Get Out of the Boat

A man rises from a bog, his face covered in mud and substances this editor cannot determine.

|Lucas Hardwick| High school…shit; I was still only in high school. Every day I thought I was gonna wake up and that book report would be done. I’d wake up and there’d be nothing written, and not much read. I hardly said a word to my sophomore English teacher until I said… Continue reading

Taking Silly Seriously: The 90s Niche of Jean-Claude Van Damme in Sheldon Lettich’s Double Impact

A close-up of Jean-Claude Van Damme as Alex, scruffy and serious with a toothpick in his mouth against a blurred background.

|Chris Polley| Nine years ago, as is the American way, a viral car commercial brought us all together. Advertising Volvo’s state-of-the-art dynamic steering, it showed a chiseled man in his 50s atop two large trucks, his stance wide and firm, with one foot planted on each of the behemoths’… Continue reading

Quenched by Camp: Bandits vs Samurai Squadron is a Bloody Treat

Pop illustration of Tatsuya Nakadai as Kumokiri Nizaemon in black robes with bloody katana on a yellow background. Japanese characters behind Tatsuya in red read: Bandits vs Samurai Squadron. Illustration by author Jake Rudegeair.

|Jake Rudegeair| A lot has been written about camp, especially when it comes to film. It’s one of those delicious words that we all seem to understand, but gets so warped by bumps and nodules of meaning that its definition keeps changing. Maybe it’s like that old subjective definition… Continue reading

Programmer’s Notes on Hideo Gosha, Wandering Ronin

The image is black and white. A man lays back against a wooden wall and is holding a sword in front of him. Reflected in the sword is the face of a woman.

|John Moret| Ronin, noun, historical (in feudal Japan): a wandering samurai who had no lord or master.

On a wintry day in 2012, a friend and I met for our weekly movie and lunch meetup. It was his choice that week and he brought a new release from the Criterion Collection, Three Outlaw Continue reading

The Conformist: Finding Purpose in a Fascist State

In the bottom left corner, a man in a suit carries a bouquet of yellow flowers. He is walking past a large brick wall with words in Latin carved on it.

|Eli Holm| Suspended in anticipation, a man named Clerici sits awaiting his cue, a pawn of a larger game, too terrified to sleep, waiting to strike. He’s in a blank slate of ruin, without discernible emotion, putting on his mask of high-class clothing, tucking his gun, braving the winter air, ready.. Continue reading

The Wild Bunch: Between Companionship and Despair

A man in a hat (Ernest Borgnine) stares down the barrel of his rifle in "The Wild Bunch."

|Rowan A. Smith| The Wild Bunch was a movie that for many years sat for me in a category most film-lovers are very familiar with: “I’ll get to it.” When I was a teenager, I watched a lot of the most beloved Westerns and didn’t find many I enjoyed. It wasn’t until I was in my late twenties… Continue reading