|Clare Brownlee| Hitchcock is considered one of the enduring masters of the horror genre, and his 1960 film Psycho is no exception to that renowned filmography. It not only started a new kind of horror movie entirely, but maintains a legacy as one of the greatest in the genre. I’m not… Continue reading
|Jay Ditzer| The reputation of the animated cult classic Heavy Metal rests on promises it largely can’t keep. Sure, it’s full of sex, drugs, and rock ’n roll, at least superficially. What it actually delivers is something more revealing. The film is deeply of its era, which is both a strength and a weakness. Continue reading
|J.R. Jones| Opened in 1880, about 12 miles north of San Francisco, Folsom State Prison occupies the former site of a mining camp along the American River. The original prison buildings and walls were constructed with hand-cut granite from the surrounding hills, which gives… Continue reading
|Wil McMillen| Everyone is scared. Everyone is broke. Unemployment is skyrocketing. There’s a madman in the White House who is threatening to blow up anyone who looks at him wrong. It’s 1983, and I’m eight years old. Nostalgia for the 1980s is amusing to me. The 80s, at least the early 80s… Continue reading
|Reid Lemker| Sometimes, it’s a miracle that films get made, and RKO’s 1949 film, The Big Steal, is one of those miracles. Directed by Don Siegel and starring Robert Mitchum, Jane Greer, and William Bendix, The Big Steal was originally conceived as a vehicle for RKO star George Raft, but… Continue reading
|Andrew Neill| The lights are out except for the TV. Outside of its pulsing glow, the bedroom is painted with deep blue shadows, which extend through the window, out onto the snowy front yard, across the icy street, a few blocks of civilization, and then miles and miles… Continue reading
|MH Rowe| A lot of art seems gruesome and tasteless when you’re twelve or thirteen years old. It repels and attracts you for exactly that reason. Later, when you’ve reached maturity or thereabouts and are better equipped with the faculty of judgement, you may have a… Continue reading
|MH Rowe| The most interesting films tend to be those that go all the way into a gnarly little dreamworld. Not that the dreamworld of American Gigolo seems gnarly at first. The story begins by reveling in the easy brilliance of California sunshine. There’s no glare. No one sweats. A breeze… Continue reading
|Penny Folger| Paul Schrader’s American Gigolo, starts out with all the luster and flash of the 1980s though it was actually shot in 1979. Yet, stylistically, it preternaturally defines the decade that was to come. “It’s almost setting the… Continue reading
|Ed Dykhuizen| Communism does not create a great environment for filmmaking. Communist governments tend to try to control everything, especially how people think. All art becomes state propaganda limited to a handful of party-friendly messages and forms. You have to… Continue reading
|Matthew Tchepikova-Treon| A young Richard Pryor sits inside a dark, nondescript bar. “California is a weird state,” he says, “because they have laws for pedestrians—you know like, you cross the street—they have laws for pedestrians, but they don’t have laws for people… Continue reading
|Sophie Durbin| would strongly recommend that everyone who’s anyone attend Berlin & the Trylon Present: A Celebration of Giorgio Moroder on Thursday, February 5. While our beloved Trylon Cinema does well at staying/excelling in its lane, the occasional creative foray into other local… Continue reading
|Lars Johnson| In the early 1980s, an idealistic Japanese animator entered into an agreement with a magazine to create a manga on the condition that it would not be turned into a feature film. The series immediately took off and became popular. The publisher, presumably caught… Continue reading
|Noah Frazier| Bugs are gross. They look scary. They’ve got creepy legs and weird pincer mouths. A lot of them have an alarming amount of eyes. They bite, they sting. Sometimes they…let me double check my notes here…drink! your! blood! Like it’s a tasty treat to them!… Continue reading
|Courtney Kowalke| On October 21, 2025, around 1:00 pm, YourClassical MPR played Ottorino Respighi’s “Fountains of Rome.” I know because I was listening to the station in my car. As I drove through Uptown, I listened to Lynne Warfel wax poetic about the piece. She pointed out that the… Continue reading
|Devin Warner| I am so happy that this movie is being shown. While waiting in line to buy a ticket for the first 80’s Action Extravaganza at the Trylon, John wandered the line and asked everyone for movies they would like to see. My response was Shakedown, a buddy cop action… Continue reading
|Patrick Clifford| I recently bought a meatloaf and mashed potato sandwich from a gas station. I was on a road trip of sorts and had stopped out of need. For gas, a bathroom, and something to eat. The meatloaf and mashed potato sandwich was suffering under a heat lamp… Continue reading
|Chelli Riddough| When my ex-boyfriend Chris and I were splitting up, we had a breakup photo shoot. Our friend Zoey came over and took a series of photographs of us in the living room: hugging, holding the cat, sitting side by side. At the time, my close friends… Continue reading
|Ed Dykhuizen| Throughout the twentieth century, few documentaries managed to be both truthful and entertaining. Some were dry and deadly serious explications of important societal issues that, while enriching in the end, could feel a bit like homework. Others that provided thrills… Continue reading
|Dan McCabe| Note: This article contains spoilers for Federico Fellini’s 8 ½. If you want to see the movie without knowing anything about it, stop now. Guido (Marcello Mastroianni) hates the science fiction movie he’s making. He thinks such b-movie genre fare is cheesy and… Continue reading
|Chris Polley| The “ooh, a project!” to “omg this is a huuuuge project” pipeline is real. In less than a week, my ambient post-rock band PRGRPHS will be performing our first live score for a silent film at the Trylon—Ukrainian director Oleksandr Dovzhenko’s 1930 agitprop Rorschach test Earth… Continue reading
|Phil Kolas| Can selfishness be intersectionally liberating? Can assholes help to free strangers? Those are two sentences saying the same thing, and I’m being repetitive only because I feel like I’m going to be fighting both of those conflicting impulses while I write… Continue reading
|Chris Polley| “It was a street-theater spectacular that never stopped,” Czech-turned-American director Miloš Forman said of his time spent in Central Park during the summer of 1970 before and during the filming of his debut stateside feature Taking Off. In particular… Continue reading
|Josh Carson| There is a seasonal debate borne directly out of and aged exactly alongside the internet. They even share the same lifecycles: At first it was wildly amusing. Next came innocuously controversial. Then it started to get annoying as too many people… Continue reading
|Ben Tuthill| Casino is the only entry in Martin Scorsese’s catalog you might confuse for self-parody. Three different voice-overs, a United Nations of ethnic slurs, so many Rolling Stones needle drops that at one point there’s a Rolling Stones song playing over another… Continue reading
|Terry Serres| Lou Andreas Sand (Faye Dunaway) is a former fashion model, retired after a nervous breakdown. Still vain and insecure, we find her holed up in her beachside aerie, where she is interviewed at length by a collaborator from her heyday, the photographer Aaron Reinhardt… Continue reading
|Patrick Clifford| It ain’t easy. The stuff of life. The things that continually seem to come with difficulty. Paying rent. Getting along with family. Loving somebody and accepting love in return. No matter how simple we try and keep it, we always complicate it by wondering if there… Continue reading
|Courtney Kowalke| Writing this piece made me confront the fact that I have a thing for cowboys.Not the lifestyle, not in practice—I hate feeling dusty, straw and most crop pollens make me sneezy, and I’ve been scared of horses since I was ten and one bit my hand while I was feeding it… Continue reading
|Ryan Sanderson| You’re Sharon Stone. Congratulations. You’ve just achieved massive stardom with Basic Instinct. Now Sony’s come knocking with a metatextual riff on Sergio Leone Westerns, the Clint Eastwood Man With No Name archetype written for a woman. You sign on… Continue reading
|Azra Thakur| Sometimes, I seem to feel a gravity rise from the depths of the ages throughout the world. In myself and in others, I notice a tendency to flee from new problems, to take refuge in churches or counter-churches, to rely on what has been achieved, to be complacent, to… Continue reading
|MH Rowe| Some documentary films feel more like a document than an act of documentation. They may set out to study this or that topic, but in the end, they seem themselves like objects to study. To put it another way, I am inadequate to judge the regional history and politics presented… Continue reading
|Zach Staads| See this film. If you take nothing else from this, please see this film. There may be things that don’t appeal to a contemporary palette, and it may be considered overly simplistic or overly artistic, depending on who you ask. However, the heart, the soul of… Continue reading
|Devin Bee| There’s a great gag in the show 30 Rock where we view the world through the eyes of Kenneth, the eternally cheerful and naïve NBC page played by Jack McBrayer. What Kenneth sees is not a world of flesh-and-blood creatures, but one populated entirely by muppets— Continue reading
|Hannah Baxter| How to Get Ahead in Advertising (1988) has a title reminiscent of a screwball comedy, maybe something starring Katherine Hepburn and Spencer Tracy. He’s a staid account executive and she’s a free-spirited graphic designer working at the same advertising agency. Forced to collaborate on a big account… Continue reading
|Dan Howard| When Bruce Robinson was living as a struggling artist in London, he drew inspiration directly from his own less-than-glamourous lifestyle for his first novel, and eventually first film. If an artist doesn’t come from money, it can be very difficult to climb their way out of poverty… Continue reading
|Penny Folger| “Fork it!” screamed actor Richard E. Grant, in the audition for what was to become his first role in a feature film: 1987’s Withnail and I. For Bruce Robinson, who was directing his first feature film, it was the way Grant delivered this line that sealed the deal… Continue reading
|Matt Clark| For the last 15 years, writer/director Christopher McQuarrie has essentially been in the Tom Cruise business. Eight of the ten pictures that list McQuarrie as a writer and the entirety of his directorial output (most of which now consists of Mission: Impossible films… Continue reading
|MH Rowe| Thank you for coming today. I want to say a few words about the strangeness of a film called The Usual Suspects, which was released in 1995 and over the course of the last 30 years has become a politely or even well-regarded classic of the “neo-noir” crime genre… Continue reading
|Chris Polley| Sometimes this place feels like a prison” is a sentiment I hear at least once every few years as a public school teacher—from students, yes, but also at least twice from fellow teachers. It’s also a haven for many kids who lack stability and routine at home. And yet it remains a source of so much stress and so… Continue reading
|Matt Clark| During the 1970s peak of kung fu film popularity, films from the Shaw Brothers’ legendary studio were known for lavish sets, period detail, and often outrageous kung fu styles. Rival studio, Golden Harvest, was primarily known for promoting international sensation… Continue reading
